[Cross-posted at Cliopatria.]
While in Wales recently I chanced upon a copy of Robert Stradling's Your Children Will Be Next: Bombing and Propaganda in the Spanish Civil War 1936-1939 (Cardiff: University of Wales Press, 2008). My description at the time was that this book 'Argues that the memory of Guernica has obscured earlier atrocities, especially the 1936 bombing of Getafe near Madrid'. Now that I've read Your Children Will Be Next, it's clear that I seriously misrepresented Stradling's argument in one crucial respect: he doesn't believe the Getafe atrocity ever actually happened, or at least if it did, there's no good evidence for it now. And that, nevertheless, this non-event had important consequences for the propaganda battle in Spain, for the subsequent memory of the Spanish Republic, and for our own reactions to the use of airpower against civilian targets. It's such an interesting and important book that it's worth correcting my mistake, and digging bit deeper into Stradling's thesis.
Firstly, what was supposed to have happened at Getafe? I must admit to not having heard of the incident before. It was claimed (mainly in the foreign left-wing press) that on 30 October 1936, Nationalist (meaning German) bombers deliberately bombed civilians in Getafe, a small town near Madrid, flying low to mark their victims and killing dozens of children. Photographs of their bodies, with identification labels on their chests, were used in several Republican propaganda productions, the best-known of which is shown above: 'If you tolerate this, your children will be next', a combined appeal to humanity and self-interest. Stradling traces the propagation and influence of The Poster, as he calls it: it was used by both the Communists and the Labour Party in Britain for their pamphlets (below is the Imperial War Museum's copy of the latter's). It helped turn opinion in the democracies against the Nationalists in this crucial early part of the war, when a swift victory by Franco had seemed assured. Memoirs and poems from the period attest to the power of its imagery.
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