1900s

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Airem Scarem

In an earlier series of posts I discussed Australia's first airship, the White Australia, which flew in 1914. It turns out that there was an earlier Australian airship, of a sort: the Airem Scarem. Indeed, according to a 1907 newspaper advertisement it was the 'First Airship below the line' (equator, presumably). From the above photo, taken in 1908, Airem Scarem was a trim little vessel, though the envelope is a bit on the small side and the propulsion system, which seems to consist of no engine and two tiny propellors fore and aft, hardly seems adequate. Fortunately the Airem Scarem was assisted in its flights by being suspended from a cable -- which has been crudely whited-out from the above photo -- because it wasn't a real airship at all but rather an amusement park ride, at Wonderland City in Tamarama, a beachside suburb of Sydney.
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White Australia and the Empty North (1909)

The previous post in this series was supposed to be the last. But in the course of taking two months to write it, I managed to forget about another, earlier association between a White Australia and an Australian airship. This one wasn't a real airship; it was a fictional one which appeared in Randolph Bedford's 1909 play, White Australia; or the Empty North -- effectively an Australian version of Guy du Maurier's An Englishman's Home. Does this shed any light on Alban Roberts' 1914 airship, White Australia?
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In December I'll be giving a talk at the Aviation Cultures Mk. II: Technology, Culture, Heritage conference at the University of Sydney, entitled 'Comparing Hendon: aerial theatre in context'. Here's the abstract:

The RAF Pageants held between 1920 and 1937 at Hendon in north London were an annual series of air shows, in which military aircraft put on impressive displays of aerobatics and formation flying, climaxing with an elaborate set piece in which a battle scenario with an imaginary enemy was acted out, for the entertainment and edification of the spectators. These pageants were hugely popular among all social classes, being witnessed each year by hundreds of thousands of people directly and many millions more indirectly through newsreels. Hendon was undoubtedly the most important British venue for staging aerial theatre, the use of aviation spectacle to project images of future warfare, national power and technological prowess. However, the RAF Pageants were not unique. In this paper I will compare them with: equivalent forms of theatre employed by the British Army and the Royal Navy; similar forms of aerial theatre staged internationally, for example in Italy, the Soviet Union and Australia; and different kinds of aerial theatre used by the RAF itself, particularly Empire Air Day. This comparative approach will enable me to demonstrate the importance of Hendon and its influence, and to understand the relationship between the specific form of aerial theatre and the messages it conveyed about war, nation and technology.

This is the start of pulling together a few themes into something publishable. As part of the revision process for my 1913 phantom airships article, I decided to cut the section on the idea of the aerial theatre and to instead expand that into an article of its own. But instead of focusing narrowly on the Edwardian aerial theatre I'll think I'll take it into the interwar period and talk about the Hendon pageants instead, which were the subject of a series of posts I did ages ago. So it's time to take another look at Hendon, and presenting at Aviation Cultures Mk. II will be a part of that process.

I see that I neglected to post about Aviation Cultures Mk. I, which was held back in February, also at the University of Sydney. I think that was because I wasn't presenting anything original, just an overview of my research interests. It was an excellent one day interdisciplinary seminar involving mostly Australian researchers from the humanities and social sciences, as well representatives from the heritage sector. A highlight for me was Michael Molkentin's paper on pre-1914 military aviation in the Dominions, where he revealed the (unsurprisingly) naive entries submitted by the public for the Australian government's competition to design an effective military machine. Peter Hobbins (one of the organisers) spoke about his work on the pioneering Cotton Aerodynamic Anti-G Suit, the remains of which we got to see (it was developed at Sydney). So with Aviation Cultures Mk. I being such a success, the programme for Mk. II has expanded to cover two days. There are a lot of papers to look forward to, but here I will just mention those given by Leigh Edmonds, author of the (I think) only study of Australian airmindedness, who will speak on 'Australian aviation and society: the feedback loop', and two by commenters on this blog, Phil Vabre (with Roger Meyer) on 'How to make the uninteresting interesting: the Airways Museum as a case study', and James Kightly (AKA JDK) on 'Tested testers: re-learning to fly the Boxkite'. Should be fun!

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Weekly Mail, 22 May 1909, 7

Chatting to Andrew Gray the other day, I realised that I'd never got around to posting about a small discovery I'd made about one of the most sensational sightings from the 1909 phantom airship scare. This is the claim by a Welsh showman named Lethbridge that he had actually seen an airship on the ground, seen its crew, seen them board the airship and take off. Here's how I summarised this incident when I postblogged 20 May 1909, quoting from the London Standard (and ultimately the Cardiff Evening Express):

a travelling Punch-and-Judy salesman by the name of Lethbridge was walking back home from Senghenydd to Cardiff over Caerphilly Mountain. At about 11pm [on 19 May 1909] he saw an airship which had landed on the mountain, and its crew. At least, that seems to be the implication of the interview he gave to the Cardiff Evening Express yesterday.

At the mountain's peak, he saw 'a long, tube-shaped affair lying on the grass on the roadside, with two men busily engaged with something near by'. The men wore 'big, heavy, fur coats, and fur caps fitting tightly over their heads'. When he got within twenty yards 'they jumped up and jabbered furiously to each other in a strange lingo -- Welsh, or something else; it was certainly not English'. They picked up something from the ground, and the object started to rise into the air. The men then 'jumped into a kind of little carriage suspended from it', with wheels. Once it had cleared some telegraph lines, it turned on two lights and headed towards Cardiff.

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An update of my list of early 20th century British newspapers online is well overdue. As such, there are a large number of new titles available (some only for a limited range of years), along with the usual additional ranges of years for existing titles. But it's clear that the imminent First World War centenary has really driven this expansion, or at least shaped it, because the range 1914 to 1918 appears over and over again.

By far the most new titles come from Welsh Newspapers Online (WNO):

Abergavenny Chronicle
Abergavenny Mail and Farmers' Gazette
Adsain (Corwen)
Amman Valley Chronicle
Baner Ac Amserau Cymru
Barmouth and County Advertiser
Barry Dock News
Barry Herald
Brecon & Radnor Express Carmarthen and Swansea Valley Gazette and Brynmawr District Advertiser
Brecon County Times, Neath Gazette and General Advertiser
Brython (Liverpool)
Cambrian Daily Leader (Swansea)
Cardigan Bay Visitor (Aberystwyth)
Carmarthen Journal and South Wales Weekly Advertiser
Carmarthen Weekly Reporter
Carnarvon and Denbigh Herald and North and South Wales Independent (Caernarfon)
Chester Observer
Chester Courant and Advertiser For North Wales
Clorianydd (Llangefni)
County Echo, Fishguard and North Pembrokeshire Advertiser (Fishguard)
County Observer and Monmouthshire Central Advertiser (Usk)
Darian (Aberdare)
Denbighshire Free Press (Denbigh)
Dinesydd Cymreig (Caenarfon)
Dravod (Trelwe)
Flintshire Observer (Holywell)
Genedl Gymreig (Caenarfon)
Glamorgan Gazette (Bridgend)
Gwalia (Caenarfon)
Gwyliedydd Newydd (Blaenau Ffestiniog)
Haverfordwest and Milford Haven Telegraph (Haverfordwest) (free)
Herald Cymraeg (Caenarfon)
Herald of Wales (Swansea)
Llan (Rhyl)
Llandudno Advertiser and List of Visitors
Llanelli Mercury and South Wales Advertiser
Llanelli Star
Merthyr Express (Merthyr Tydfil)
Monmouth Guardian (Rhymney)
Negesydd (Glayndon)
North Wales Chronicle and Advertiser For the Principality (Bangor)
North Wales Times (Denbigh)
Pembroke County Guardian and Cardigan Reporter (Solva)
Pontypridd Chronicle and Workman's News
Rhedegydd (Blaenau Ffestiniog)
Rhondda Leader (Tonypandy)
Rhondda Leader, Maesteg, Garw and Ogmore Telegraph (Tonypandy
Rhos Herald (Rhosllannerchrugog)
South Wales Weekly Post (Swansea)
Tenby Observer, Weekly List of Visitors, and Directory
Towyn-on-sea & Meirioneth County Times (Welshpool)
Tyst (Merthyr Tydfil)
Udgorn (Pwllheli)
Welsh Coast Pioneer (Chester)
Welsh Gazette and West Wales Advertiser (Aberystwyth)
Welshman (Carmarthen)
Wythnos A'r Eryr (Bala)

This is an extremely impressive expansion; in fact there are now so many Welsh newspapers I've had to break up the listing in order to make it more readable -- Scotland and Ireland, take note. This raises the question of whether I will continue to include Welsh-language newspapers in this listing: it would make my life easier if I didn't have to check them too, and not many researchers outside of Wales can read Welsh. But when combined with the superior user interface and the completely free access, this makes WNO the most impressive online newspaper archive in Britain. The only limitations are the scope: nothing later than 1919, and nothing that's not Welsh (though it now includes a few titles published outside Wales, in Chester and Liverpool, aimed at or including Welsh markets).

These are the new titles in the British Newspaper Archive (BNA):

Biggleswade Chronicle
Birmingham Daily Mail
Birmingham Daily Post
Birmingham Gazette
Burnley Gazette
Burnley News
Chelmsford Chronicle
Cheshire Observer
Daily Gazette for Middlesborough
Daily Herald (London)
Daily Record and Mail (Glasgow)
Evening Chronicle (Newcastle)
Evening Despatch (Birmingham)
Folkestone, Hythe, Sandgate & Cheriton Herald and Chronicle & Observer
Hamilton Advertiser
Lancashire Daily Post (Preston)
Leicester Chronicle
Liverpool Daily Post and Liverpool Mercury
Perthshire Advertiser
Sports Argus (Birmingham)
Sussex Agricultural Express
Western Mail (Cardiff)

There are some good things here. Birmingham was previously completely unrepresented, but now it has no fewer than five newspapers, including, unusually, a sports newspaper. However all of them are only available for 1914-1918. The most important newspapers here are probably the Labour Daily Herald and the Cardiff Western Mail, though again they are only for 1914-1918. A small number of titles have actually had issues removed from BNA, whether for copyright or quality control reasons I'm not sure.

The other major archives all have new titles too, though not many. Several Kentish newspapers have been added to ukpressonline for 1914-1918: Herne Bay Gazette, Kent Messenger, and the South Eastern Gazette. More interesting is that these newspapers for the period up to 1912 can be accessed for free, as long as you accessing them in Britain and use a special landing page. It looks like this has been the case for a while, though I missed it because it's not at all obvious from the usual ukpressonline site. Irish Newspaper Archives has added a couple of titles, the Dundalk Democrat and the Skibbereen Eagle. Unfortunately the Kildare Observer, which used to be a free sampler, now has to be paid for. This is probably to do with an upgraded user interface, which is much improved (but unfortunately doesn't seem to work in all browsers). And NewspaperArchive has added a suburban London paper, the North London Mercury And Crouch End Observer, as well as the London and Belfast editions of the US Army newspaper, Stars and Stripes (for the Second World War, obviously).

Finally, a nice standalone (and free!) archive of the Halifax Courier is now available for the First World War period -- thanks to Bruce Gaston for the tip.

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The Imperial Aircraft Flotilla

We are familiar enough with the Spitfire Funds of the Second World War, in which patriotic individuals and groups could buy aircraft for the nation. There was a fair amount of precedent for this. In the early 1930s, Lady Houston more than once offered the government hundreds of thousands of pounds for air defence, though this was turned down. Perhaps she was inspired by the Nizam of Hyderabad who in 1917 donated a whole squadron of DH.9As, forming the initial complement of No. 110 Squadron RFC. In fact the idea of civilians donating military aircraft had its origins before 1914, at a time when Britain appeared very weak in the air. Most famously there had been the sorry story of the Morning Post airship, purchased from France in 1910 with the money raised by a subscription fund, damaged on arrival when it tried to squeeze into its hangar, and destroyed on its first flight after being repaired. But the idea persisted. A proposal made by the Review of Reviews during the 1913 airship panic for 'each county, each great city or town, each collection of villages in the homeland and the Empire [to] give one or more aeroplanes to the State' came to not much, though a few months later it was reported that 'a sum of £1000 has been subscribed in British East Africa for the purchase of an aeroplane for Great Britain'.1
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  1. 'Britain’s peril in the air', Review of Reviews 47 (April 1913): 134; Manchester Courier, 4 July 1913, 7. ↩

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With my book's publication imminent and my return to the job market beginning to, if not loom, then at least creep up, it's time to think about what's next in terms of a research programme. I had been thinking of something to do with mystery aircraft, and indeed my next small research project, on scares during the First World War, was intended to be part of that. But after turning this idea over for a while, and trying to outline a grant proposal, I don't think this is quite viable, at least not by me, or not by me right now. It's either too big or too small. It's too big in the sense that to do mystery aircraft properly and bring out what is interesting about them, in the sense of speaking to larger historical questions, Britain is too narrow a compass: I really need to do a comparative study across all the English-speaking countries at a minimum, and ideally take in Europe as well, from the 1890s to the 1940s. It's too small in that I'm not sure that what is interesting about mystery aircraft scares is actually all that interesting: at least not interesting enough for a grant committee, and maybe not enough to warrant three years of my life plus a book. And the smaller I make the project, the less interesting it gets. There's probably a happy medium to be struck between these problems (okay, so I maybe don't need to include every single mystery aircraft wave from Australia to the United States, and let's be honest, how interesting is anything I do likely to be?) But perhaps I need to develop more as a historian first. Perhaps I need to step back a bit and look at the bigger picture.

What I am now thinking should be my next project is what I have termed the aerial theatre, the use of aviation spectacle to construct national identity and project national power. This is small enough, in that I can focus just on Britain's aerial theatre, while still drawing comparisons only when and where it is helpful. And it is big enough, in that there is a huge variety of topics I can pull into the aerial theatre concept, many of which I have long been interested in and would love an excuse to study in a more sustained way. Hendon is the prime example, both in its civilian phase under Claude Grahame-White before 1914, and its military phase under the RAF between 1920 and 1937. But I keep thinking of many, many things I could look at. Like Hendon, some of these were organised by civilians and some were organised by the military; some had only incidental civilian audiences, some had only incidental military purposes. The Daily Mail prizes, like the London-Manchester race in 1910. Grahame-White's 'Wake Up, England!' campaign, which toured seaside resorts in the summer of 1912. Empire Air Day, the RAF's 'at home' day in the 1930s. The Air Defence of Great Britain exercises between 1927 and 1931, held around London. Even combat operations, like Operation Millennium, could be considered aerial theatre: it was explicitly designed, in part, to be a media spectacle, to impress people at home and abroad with the power of Bomber Command. I could go on and on, and hopefully will (just not now).
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Under the terms of an agreement made in 1909 between the three main British aviation bodies, the Aeronautical Society of Great Britain concentrated on 'the scientific phases of the movement', the Aero Club of the United Kingdom was responsible for 'sporting and social aspects', and the Aerial League of the British Empire, the one I'm most interested in, took on 'the patriotic and propaganda' side of things.1 In terms of this propaganda role, I've usually tended to see the Aerial League as focusing more on fostering airmindedness among elites than the masses. After all, its ranks were filled with peers, solicitors, generals, journalists, politicians and other examples of the better-off classes of society.

But while this may be fair comment for the interwar League I'm starting to realise that this misrepresents the scope, or at least the ambition, of its activities before 1914. For example, in June 1910 it organised a very successful aeronautical exhibition in the grounds of the Crystal Palace, which ran for a couple of months. Claude Grahame-White's weekly aerial displays were the major drawcard, pulling in up to 10,000 spectators; according to Charles Gibbs-Smith, there were nearly riots when bad weather prevented flying.2 After hosting a luncheon for journalists to show them how the grounds had been adapted for aviation (including the construction of 'What is termed an "aerial cottage" -- that is to say, a cottage with an aeroplane shed attached and forming a part of the design'), Colonel H. S. Massy told them 'that the object of the league was to form a great central aeronautical institute with branches all over the country at which young men of small means would be able to qualify as airmen'.3 So although, as far as I know, this scheme was never attempted, there was at least an idea that it would be desirable to help those who could not otherwise afford to learn to fly.

The motive wasn't simply altruism, of course; it was to do with that other part of the Aerial League's remit, the 'patriotic'. As Massy further explained, 'if we, in this country, allowed the fatal drowsy sense of security born of freedom from foreign attack to gain the upper hand with us, we should not only be a laughing-stock, but an easy prey to our neighbours'.4 The same motivation presumably explains the Aerial League's patronage of a play entitled War in the Air, which premiered at the London Palladium on 23 June 1913. It was written by Frank Dupree, a journalist with the Standard who had flown with Gustav Hamel from Dover to Cologne in April, in an aeroplane which was donated to New Zealand by the Imperial Air Fleet Committee. Unfortunately, I haven't been able to locate any detailed descriptions of the plot in contemporary sources, although one London newspaper ridiculed its stage effects, claiming that 'Nothing [unintentionally] funnier has been seen on the veriety stage for years'.5 However, Andrew Horrall gives a useful précis in Popular Culture in London:

War in the Air, a play designed to arouse the nation to the hovering peril, whose cast included a young Noël Coward, detailed the heroics of Tommy Vincent the commander of Britain's fictional Central Aerial Station. As in many melodramas, female weakness caused the trouble. Vincent's fiancée had unwittingly allowed Britain's enemies to dupe his pilots into believing that the north-east coast was being invaded. As the British squadron headed north, the enemy's aircraft attacked Kent. Needless to say, such an evil, ungentlemanly ruse was discovered when the emboldened fiancée cabled a new warning and was avenged unsparingly as Vincent's planes destroyed the enemy fleet over Dover. These aerial battles were carried out between planes suspended on wires above the audience. Subsequent performances in Willesden and Shoreditch proved to Londoners that British pilots would protect them, from both air and seaborne invasions.6

It sounds like it combined elements of the invasion, naval and spy fiction of the period, which I would argue is quite characteristic; the airship panic earlier in the year -- in which Dupree's paper had played an enthusiastic part -- was much the same, and another airship play which opened a few months later, Sealed Orders, had a similar mix.7 I'm not sure if the Aerial League had any involvement in War in the Air beyond its patronage, and sending along representatives on opening night (as did the Imperial Air Fleet Committee).8 It doesn't appear to be mentioned in the minutes of the Aerial League's executive committee. But what was evidently its message -- the need for aerial preparedness -- certainly fit with the Aerial League's goals.
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  1. Flight, 4 September 1909, 532, 533. ↩

  2. The Story of the Air League 1909-1959 (Sidney-Barton, 1959), 5. ↩

  3. The Times, 7 June 1910, 12. ↩

  4. Ibid. ↩

  5. Quoted in New Zealand Herald (Auckland), 20 September 1913, 4. ↩

  6. Andrew Horrall, Popular Culture in London c. 1890-1918: The Transformation of Entertainment (Manchester and New York: Manchester University Press, 2001), 93. Horrall's main source is The Era, 28 June 1913, 19. ↩

  7. Ibid. [Correction: Horrall, Popular Culture in London, 93.] ↩

  8. The Times, 21 June 1913, 10. ↩

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As we all1 know, the Aerial League of the British Empire (later the Air League of the British Empire, now just the Air League) was founded in 1909. Less well-known is that the Aerial League also sponsored the formation of the Women's Aerial League (they are often described as being affiliated, or as the latter being part of the former, but while relations were friendly the Women's Aerial League seems to have led its own existence), which itself set up the Boys' and Girls' Aerial League (which I think later changed its name to the Young Aerial League). But even less well-known is that all of these aerial leagues were preceded by what seems to have been an entirely separate and apparently very short-lived air league known as Britain's Aerial League.

The only trace of this I have been able to find so far is a brief article in the Sunday Times in early January 1909:

BRITAIN'S AERIAL LEAGUE

On all hands the signs are visible that the aeroplane is rapidly becoming an accomplished fact. The appalling prospect which its use as an engine of warfare suggests has led to the formation of 'Britain's Aerial League,' the main object of which is to employ every means possible to bring about an international understanding by which the use of airships, aeroplanes, and other aerial machinery shall be prohibited in war, except for observation purposes. The incalculable damage which could be effected in a few hours by a fleet of foreign airships surely needs no insisting upon. Another object of the league is to urge upon public men, without distinction of party, the necessity for placing the United Kingdom upon a level with other countries as regards the building of aerial machines. It will also assist inventors in giving practical trials of their machines. The hon. secretary of the league is Mr. John Mayou, 1, Pump-court, Temple, E.C.2

The obvious question to ask is whether this might be in fact the good old Aerial League of the British Empire, given that it had its first meeting in February 1909, but with advance publicity appearing in the press in late January, less than three weeks after this article appeared. The name is different, of course, but maybe it was decided to change it before the actual launch -- 'Britain's Aerial League' is a rather awkward formulation, after all. Or perhaps the name was still under discussion at the start of January and the press was notified by mistake. It could be that this Britain's Aerial League is a glimpse of the embryonic Aerial League of the British Empire.
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  1. For very small values of 'all', obviously. ↩

  2. Sunday Times, 3 January 1909, 5. ↩

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It's been six months since the last one and so it's time for another update of my list of early 20th century British newspapers online.

The most pleasing addition to the list of newspaper archives for 1901-1950 is the Spectator, the most influential conservative weekly of the period. The Spectator archive is free; near-complete from 1828 to 2008; contains both images and text -- and the OCR is high quality; tagged; and is easy to search or browse. However, there is no advanced search function (though you can use Boolean operators such as AND and NOT). While you can use the Trove-style filters to narrow a keyword search down to a decade of interest, you can't zoom into a year, let alone a month, week or day. There doesn't seem to be any easy way to save article images (the best way I've found is to zoom on the page and use the web browser to save as HTML; you get a lot of extra junk but among them are two usable images). And it's a shame that illustration captions and advertisements appear to have been excluded from the text search, though they are visible visually. Still, it's all still in beta, and did I mention that it's free?

Welsh Newspapers Online is expanding rapidly, having added the following titles:

Aberdare Leader
Brython Cymreig
Cambrian
Cambrian News and Merionethshire Standard
Cardiff Times
Cymro
Cymro A'r Celt Llundain
Lials Llafur
Merthyr Pioneer
Montgomeryshire Express and Radnor Times
North Wales Express
North Wales Weekly News
Papur Pawb
Rhyl Journal
Rhyl Record and Advertiser
South Wales Daily Post
Weekly News and Visitors' Chronicle For Colwyn Bay
Weekly Mail

The coverage for most of these ends in 1910, as with most of WNO's titles; however, Cymro (published in Liverpool), Aberdare Leader, Cambrian News and Merionethshire Standard, Lials Llafur, and Merthyr Pioneer all cover at least the period 1914-1919. The war will be mentioned.
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