Civil aviation


New England Airways Ltd Avro 618 Ten

Some big news. Today the Australian Research Council (ARC) announced that it is funding Linkage Project LP160101232, 'Heritage of the air: how aviation transformed Australia' to the amount of $440,000 over three years, with financial and/or in-kind contributions from Airservices Australia, the National Museum of Australia, the Civil Aviation Historical Society, and the SFO Museum. The project's official summary reads:

This project aims to generate new understandings of how aviation has transformed Australian society over the last hundred years, and how the technology of global mobility has shaped people, cultures and communities. Whilst aviation has transformed Australian society over the last hundred years, its heritage is under-appreciated and at risk. The project will build a partnership between the aviation industry, community groups, museums and a multidisciplinary academic team to develop fresh insights from under-utilised sources of aviation heritage, communicate their unique stories to the public through innovative exhibitions and publications, and help conserve it for future generations. As a result, the project will make an important contribution to culture and society by enabling community access to neglected and at-risk sources of aviation heritage, and engage the public's fascination with aviation through new interpretations of its extraordinary social and cultural impact.

The reason why this is big news, apart obviously from the scholarly value of this research, is that I am on the project as a Partner Investigator. What that means is that I will still be working as a lecturer, but some of my research time will now be devoted to Heritage of the Air working as part of the project team:

I'll no doubt have more to say in future about the actual plans and progress of the project, and my involvement in it. But for now I'll just say that this is a big deal for me, as it's the first major grant I've been a part of, and it's the kind of thing that humanities academics increasingly need on their CV these days, at least in Australia. So I'm grateful to Tracy for giving me this opportunity, and I look forward to working with her and the rest of the team over the next few years!

Image source: National Library of Australia.


Abolish all war aeroplanes

I found this pro-disarmament poster on eBay (at US$1985, I won't be buying it!) The text reads:

Abolish All War Aeroplanes

This is the seller's own description:

An incredibly rare original vintage anti-war poster circa 1938 in fine condition, archivally mounted on acid-free paper and linen-backed. Measures 28 1/2 x 18 3/4 inches (63 x 48 cm). Fine condition or nearly so (A). Lightly toned, a few repaired closed short tears from edges (clearly shown in photos). A few minor instances of printer overpainting in the letters. Possible light stain or mild abrasion to image area. Generally in fine condition. Produced by the Friends' Peace Committee, Friends House, Euston Road, London NW1 and the Northern Friends' Peace Board, Spring Bank, Rawdon, Nr. Leeds, England, and printed by H.W. & V. Ltd., London.

I doubt that it's as late as 1938, as claimed by the seller. A biplane is a bit (though not completely) old-fashioned for 1938, for a start. Katherine Firth suggested that the font is more late 1920s/early 1930s. And the poster's message doesn't make much sense for 1938, when disarmament was no longer realistic. Not that pacifists are always realistic, by any means; but the connection that is drawn between civil and military aviation, between the possibilities of 'death and destruction' through 'war aeroplanes' and 'friendship and peace' through aerial 'transport of the future' is very suggestive of 1932-34, when the World Disarmament Conference debated and tried, unsuccessfully, to resolve precisely this nexus -- usually considered to be the commercial bomber. That said, these two groups (both affiliated with the Society of Friends, i.e. the Quakers) do seem to be separating out civil aviation from military aviation, arguing that a simple ban on military aircraft would save civilisation from destruction and allow it to benefit from air travel. It was more perhaps usual to argue that the internationalisation of civil aviation in some form was required in order to prevent airliners from being turned into bombers, with a further step being the internationalisation of military aviation as well. I can't find any reference to this poster in BNA but a quick search does confirm that the Friends' Peace Committee and the Northern Friends' Peace Board were fairly vocal in 1933-35, for example writing an open letter to the prime minister in 1933 warning against starting aerial rearmament while the Geneva conference was still in the balance, and in 1935 deploring the inevitability of attacks upon civilians implicit in the initiation of air raid precautions.1 The poster is at least evidence that they tried to persuade the public (or some sector of the public) of the aerial danger too.

  1. Sunderland Echo and Shipping Gazette, 14 December 1933, 7; Western Daily Press (Bristol), 14 May 1935, 8


Stern Gang leaflet, 1947

Or, that time the Stern Gang tried to bomb London from the air.

In early September 1947, the Parisian police arrested ten people connected with the Stern Gang, nine of them Jews including Baruch Korff, an American rabbi who was head of the Political Action Committee for Palestine.1 Press reports claimed that the group's aim was 'to carry out reprisals for the return to Europe of the 4,500 intending emigrants on board the President Warfield'.2 The President Warfield is better known today as the Exodus, which in July had attempted to land Jewish refugees from Europe in what was still the British Mandate of Palestine, only to be forcibly and bloodily intercepted by the Royal Navy. By the time of the arrests in Paris the refugees were about to land in Hamburg, there to be (again, as it turned out, forcibly and bloodily) interned in displaced persons camps. Korff was outraged at all this, and seems to have been drawn to spectacular, and aerial, forms of protest and resistance: earlier in 1947 he had made the news with his plan to subvert British immigration controls in an 'Exodus by Air', which involved landing refugees at secret Palestinian airfields, or even parachuting them in.3 ...continue reading

  1. In the 1970s he became known as a staunch supporter of Nixon, even after Watergate. 

  2. The Times, 8 September 1947, 4. 

  3. Canberra Times, 13 March 1947, 1; Pittsburgh Press, 16 August 1947, 10

When the present is too painful to think about, there is always the past to retreat into.

Japanese planes forced down an airliner which was flying from Hong Kong to Wuchow to-day [24 August 1938], and, it is reported, machine-gunned the passengers.

Of 18 people in the plane it is believed that 15 have either been killed or drowned, as the machine, which landed on the Macao River, sank.

The pilot, named Woods, and a Chinese passenger, both of whom were wounded, have arrived at Macao, the Portuguese province at the mouth of the Canton River.

Woods said that after he had landed the machine on the west side of the river, four of the 12 Japanese planes that had forced it down, dived and machine-gunned the helpless passengers.1

Well, there's no respite there.

The turbulent Mohmand tribes who have been gathering ominously on the North-West Frontier of India under incitement by Congress Party and communist agitators to strike a blow at the British administration, failed to heed the warnings to disperse contained in leaflets dropped by aeroplanes which flew over the tribal country in the vicinity of the border, and to-day [9 March 1932] they incurred the penalty stated in the warnings, when scores of their villages were bombed by Royal Air Force 'planes from Risalpur and Kohat. Several villages were wrecked and set on fire, Tribesmen hidden on the mountain tops turned fierce rifle fire on the 'planes, which replied with machine guns.

The bombing will continue until the raiders return to their mountain fortresses. One section of the tribesmen, which was threatening the approaches to the remote British outpost at Chitral is reported to have dispersed.2

No respite there either.

When the airmail leaves Parafield for Perth tomorrow mornining [sic] it will carry a highly-bred Nawab with it -- Higham Nawab of Warncourt, a six-weeks-old Persion [sic] kitten, dusty black in color, and about nine inches long.

The Nawab comes from a distinguished family. He was bred by Miss A. E. Jarmyn, of Prospect. His mother is Higham Gipsy, a litter sister to Higham Roulette, a South Australian grand champion Persian. The Nawab will go to Perth in a specially light matchwood box, and he will be in the care of the pilot of the mail plane.

He has been sold to Miss A. G. Cohen, of Buckingham Hill, Western Australia, who will call for him when the mail plane arrives.

Miss Jarmyn thinks that the Nawab will not be airsick because he is so small. She will give him a good breakfast before he goes, to make him comfortable and sleepy.3

That will do! Except – this is on the same page:

News, 11 November 1932, 8

Mr. Baldwin stressed the probable horrors of aerial warfare. The greatest fear among ordinary people of all nations, he said, was fear of the air. It was well for the man in the street to understand that no power could protect him from air-bombing. The only defence in aerial warfare was to kill more people than the enemy killed.4

There's no escaping the present, or the past.

  1. Argus (Melbourne), 25 August 1938, 1

  2. Western Mail (Perth), 17 March 1932, 34

  3. News (Adelaide), 11 November 1932, 8

  4. Ibid

The main reason for my recent New Zealand trip was to go to a conference, but afterwards I spent a week researching in Archives New Zealand and the National Library of New Zealand. My main reason for that was to look into the trans-Tasman counterpart to the 1918 mystery aeroplane scare in Australia. I didn't quite find what I wanted (more on that another day), but I did find many other, unexpected and interesting, things. For example, commercial bombers.

In my commercial bomber article, I focused on the rhetorical use of the threat posed by commercial bombers in British airpower discourse more than the actual use of actual airliners as actual bombers. However, in a recent discussion I suggested that smaller air forces might have been more interested in convertibility, since they would tend to lack the resources to invest in long-range bombing or maritime patrol aircraft. And the evidence from New Zealand seems to bear this out (though the accuracy of my further suggestion that it was only attractive in desperate times is mixed).
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In my article about the commercial bomber concept, I began my discussion of the idea that airliners could be turned into bombers in 1918, with the report of the Civil Aerial Transport Committee. But it turns out that it appeared some years earlier, though in a far more fragmentary and undeveloped form than in the interwar period. And it involved airships, not aeroplanes.

In December 1912, the Admiralty received a joint report from the military and naval attachés in Berlin about the wartime disposition and employment of Germany's airship fleet. They suggested that the German government was paying subsidies to airship manufacturers so that their civilian production would be built to the minimum standard required for military service. So, in the next war,

the naval and military authorities will thus have at their disposal not only the Government aircraft, but also a number of dirigible airships belonging to private firms fully manned and equipped and ready for instant service[.]1

The attachés estimated that this would yield a German fleet of between 21 and 23 airships, though as it's unclear how many of these were civilian it's equally unclear how much of a difference their inclusion would make. But generally speaking, they increased the aerial threat to Britain:

A number of vessels in this formidable array of airships would be capable of sailing from Germany to Sheerness, Woolwich, or any other desired point in England and return without the necessity of an intermediate descent to the earth.2

The commercial bomber idea also appeared in the press. 'C. C. T.' (i.e. C. C. Turner) , writing in the Observer at the end of March 1913, also attempted to estimate the size of the German air fleet in the event of war. He came up with 13 government-owned airships, and

In addition, there are in Germany privately-owned airships:--

First-class... 2
Second-class... 83

So his total came to 23 airships, which corresponds well with the (presumably confidential) estimate provided by the attachés. This could be because they were working from the same information, or perhaps Turner got his figures from the Admiralty. The basic rhetorical function of the commercial bomber is much the same here as it was later, to inflate the size of the enemy air fleet and make it seem more threatening, the better to demonstrate 'the fatal complacency and ignorance permitted, and even fostered, in this country'.4 However, in the 1920s and 1930s, the commercial bomber idea was useful only so long as Germany had no air force, and more or less disappeared with the creation of the Luftwaffe (or so I argue). Here, it is being claimed that it is Britain which effectively has no aerial force to speak of, since it is credited with only 2 airships '(on order)'.5 So piling on even more German airships hardly seems necessary. Perhaps the point is to increase the German lead over France, which has 10 airships attributed to it '(these are less powerful than Germany's').6

If Turner got his information from the Admiralty, he might also have taken the idea that civilian airships could be used for military purposes from the same source. But perhaps it was obvious enough: military airships and civilian airships were in fact more or less identical at this time. Schwaben, a DELAG airliner which first flew in June 1911, was built to the same plan as two military Zeppelins, Ersatz ZII and ZIII. Two other DELAG Zeppelins, Viktoria Luise and Hansa, were indeed pressed into military service in August 1914 after a rudimentary refit. Though they were mainly used for training, it seems that Hansa, at least, flew combat missions over France and the Baltic. And Sachsen, the last DELAG Zeppelin to be built before the war, raided Antwerp on the night of 25 September 1914. So as well as being the first commercial bombers in theory, airships might have been the first, and even the only, commercial bombers in practice.

  1. The National Archives [TNA], AIR 1/657/17/122/563; quoted in Neville Jones, The Origins of Strategic Bombing: A Study of the Development of British Air Strategic Thought and Practice upto 1918 (London: William Kimber, 1973), 39. 

  2. TNA, AIR 1/657/17/122/563; quoted in Alfred Gollin, The Impact of Air Power on the British People and their Government, 1909-14 (Stanford: Stanford University Press, 1989), 231. 

  3. Observer, 30 March 1913, 11. 'First-class' means Zeppelins and Schütte-Lanzes

  4. Ibid. 

  5. Ibid. 

  6. Ibid. 


It was less than two months ago that my peer-reviewed article 'The shadow of the airliner: commercial bombers and the rhetorical destruction of Britain, 1917-1935' was accepted by Twentieth Century British History, but it's already available online, thanks to the journal's advance access policy. (So while the article has been typeset, the page numbers are only temporary, pending its formal publication at a later date.) This is great; otherwise it could easily take six months before making its appearance.

The publishers of Twentieth Century British History, Oxford Journals, also have an enlightened policy of allowing authors to put a free-access URL to the article on their own website: 'The article should only be viewed from the Oxford Journals site, and not hosted by your own personal/institutional web site or that of other third parties, though you or your co-authors may post the URLs on your own sites or those of your institutions/organizations'. What this means is that if you follow this link (abstract), this link (full text) or this link (PDF) you can read the whole article for free! Technically I suppose this is a form of Green OA, but no money changes hands; it's just part of the service. I suppose they realise that library subscriptions represent the vast bulk of their income, and letting authors provide free access to their articles from their websites is not going to undercut this. This also is great.

Here is the abstract:

Aerial bombardment was widely believed to pose an existential threat to Britain in the 1920s and 1930s. An important but neglected reason for this was the danger from civilian airliners converted into makeshift bombers, the so-called 'commercial bomber': an idea which arose in Britain late in the First World War. If true, this meant that even a disarmed Germany could potentially attack Britain with a large bomber force thanks to its successful civil aviation industry. By the early 1930s the commercial bomber concept appeared widely in British airpower discourse. Proponents of both disarmament and rearmament used, in different ways and with varying success, the threat of the commercial bomber to advance their respective causes. Despite the technical weakness of the arguments for convertibility, rhetoric about the commercial bomber subsided only after rearmament had begun in earnest in 1935 and they became irrelevant next to the growth in numbers of purpose-built bombers. While the commercial bomber was in fact a mirage, its effects on the disarmament and rearmament debates were real.

Here endeth the tale of the Unpublishable Article of Doom.


When I started my PhD, I hoped to examine fictional representations of aerial bombardment in plays as well as in novels, newspapers and other written sources, but had to abandon this intention because I found very few which discussed the next war in the air in any detail. There are a few where it appears in the background, such as Karel Čapek's Power and Glory (1938), which is much more about poison gas than aerial warfare. The threat of bombing is more important in Wings Over Europe (1928), written by Robert Nichols and Maurice Browne, though this is more of a throwback to older narratives of the world being held to ransom by a league of scientists which possesses the ultimatum weapon (in this case the Guild of United Brain Workers has atomic bombs in aeroplanes circling the world's capitals) rather than owing anything to contemporary airpower theory.

But, as I found with cinematic representations, there were some plays about the knock-out blow. One such is Night Sky, which premiered at London's prestigious Savoy Theatre on 6 January 1937 under the direction of Maurice Elvey.1 The producer was Clifford Whitley; the playwright was L. du Garde Peach, better known (at least to some) as the author of Oliver Cromwell: An Adventure from History (1963).
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  1. As it happens, a decade earlier Elvey had directed the film version of Noel Pemberton Billing's play, High Treason, which also featured the danger of aerial bombardment -- though as he was apparently the most prolific British film director ever we shouldn't read too much into this. 


I'm pleased to say that Twentieth Century British History has accepted my article 'The shadow of the airliner: commercial bombers and the rhetorical destruction of Britain, 1917-1935' for publication. It should appear online by the end of the year and in print some time after that. Conceptually, though not really intentionally, this article links with the ones I've written on the international air force and the 1935 air panic. The topic is the idea that civilian aircraft could be swiftly converted into effective bombers, which had its origin in the First World War and became extremely common in airpower discourse between the wars, thanks partly to P. R. C. Groves. This is something which has been little discussed by historians, with the main exception of those working on the proposed internationalisation of aviation. I argue that the commercial bomber functioned rhetorically to create a threat from Germany during the Weimar and early Nazi periods, when it was disarmed in the air but strong in civil aviation. Conversely, the issue quickly disappeared from view when the creation of the Luftwaffe was announced.

I have discussed this article here before, actually, though without saying what it was about: it's the one I asked for crowdsourced help in fixing it, after it had already been rejected and rewritten a number of times. Since it was then accepted by the next journal I sent it to (even if not immediately), for me this vindicates the idea of crowdsourcing the editing process in this way. I wouldn't do it as a matter of course, but I'd certainly do it again if (and when) I run into trouble. So thank you to the following people who provided feedback on the article draft:

Alan Allport, Christopher Amano-Langtree, Corry Arnold, Katrina Gulliver, Wilko Hardenberg, Lester Hawksby, James Kightly, Beverley Laing, Ross Mahoney, Andre Mayer, Bob Meade, Andrew Reid, Alun Salt

You'll all be in the acknowledgements, so if I've forgotten anyone, please let me know!


VH-UXG, courtesy Phil Vabre

Very sad news today. On Monday, VH-UXG, a De Havilland DH.84 Dragon owned and flown by Des Porter, went missing on a flight from Monto to Caboolture in Queensland. A distress call and an emergency beacon were heard briefly, but then nothing more was known until today, when VH-UXG's wreckage was found in rugged terrain north of Borumba Dam. Unfortunately, all six on board were killed: Des and Kathleen Porter, Carol and John Dawson, Janice and Les D'evlin. My sympathies go out to their family and friends for their tragic loss.

The aeroplane itself is also a loss, if nowhere near as tragic a one. The Dragon, along with its successor the Dragon Rapide, is perhaps the classic 1930s small commuter airliner, designed for flying feeder routes between regional airports and metropolitan centres. Before Monday, there were apparently only eight Dragon survivors worldwide -- not four, as reported in the media -- of which six, remarkably, were still flying; now there are only seven and five respectively. (One of the seven is here in Melbourne at the RAAF Museum, tucked away in the back of one of the hangars.)

As can be seen from the photo above (taken from here, with the kind permission of Phil Vabre), VH-UXG was a beautiful aeroplane and had been lovingly restored. It was built in 1934 and flew in Britain for a couple of years as G-ACRF for Portsmouth, Southsea and Isle of Wight Aviation Ltd before being sold in 1936 to Aircrafts Pty Ltd, a Queensland airline and charter service, and then in 1948 to Queensland Flying Services. It had been sold again, this time into individual ownership, by the time it crashed and was written off at Archerfield in April 1954, and it was this wreckage which Porter eventually restored. Incredibly, his father was the owner and pilot of VH-UXG in that crash, and just a few months later was killed in another Dragon crash along with Des's older brother; Des himself survived. Parts of that aeroplane were apparently incorporated into VH-UXG's tail. (This is what I've pieced together from several online sources; again the media reports differ somewhat, saying that VH-UXG was the actual aeroplane Des's father and brother were killed in. I welcome any corrections.)

This raises the question of whether we should be flying such near-unique and near-irreplaceable vintage aeroplanes at all. I think we should. These machines were not designed to sit in museums, but to soar in the sky. That's their proper context, or at least part of it, and we can better understand them, and the people who built, flew and watched them, by trying to use them as authentic a manner as possible. That entails risk, but risk was and is inherently a part of flying. Statistically, this means we will eventually lose all flightworthy vintage aircraft to accidents (though we are still adding new ones to the list and there is a surprising amount that can be done with wreckage), but we'll at least still have the museum-bound survivors. One day even those will crumble into dust and rust. But that is the fate of all things. We can't pretend otherwise, so we should make use of what we've got while we've got it.

Some more lovely photos of VH-UXG, including when it was new, can be found here, here and here.