1900s

An update of my list of early 20th century British newspapers online is well overdue. As such, there are a large number of new titles available (some only for a limited range of years), along with the usual additional ranges of years for existing titles. But it's clear that the imminent First World War centenary has really driven this expansion, or at least shaped it, because the range 1914 to 1918 appears over and over again.

By far the most new titles come from Welsh Newspapers Online (WNO):

Abergavenny Chronicle
Abergavenny Mail and Farmers' Gazette
Adsain (Corwen)
Amman Valley Chronicle
Baner Ac Amserau Cymru
Barmouth and County Advertiser
Barry Dock News
Barry Herald
Brecon & Radnor Express Carmarthen and Swansea Valley Gazette and Brynmawr District Advertiser
Brecon County Times, Neath Gazette and General Advertiser
Brython (Liverpool)
Cambrian Daily Leader (Swansea)
Cardigan Bay Visitor (Aberystwyth)
Carmarthen Journal and South Wales Weekly Advertiser
Carmarthen Weekly Reporter
Carnarvon and Denbigh Herald and North and South Wales Independent (Caernarfon)
Chester Observer
Chester Courant and Advertiser For North Wales
Clorianydd (Llangefni)
County Echo, Fishguard and North Pembrokeshire Advertiser (Fishguard)
County Observer and Monmouthshire Central Advertiser (Usk)
Darian (Aberdare)
Denbighshire Free Press (Denbigh)
Dinesydd Cymreig (Caenarfon)
Dravod (Trelwe)
Flintshire Observer (Holywell)
Genedl Gymreig (Caenarfon)
Glamorgan Gazette (Bridgend)
Gwalia (Caenarfon)
Gwyliedydd Newydd (Blaenau Ffestiniog)
Haverfordwest and Milford Haven Telegraph (Haverfordwest) (free)
Herald Cymraeg (Caenarfon)
Herald of Wales (Swansea)
Llan (Rhyl)
Llandudno Advertiser and List of Visitors
Llanelli Mercury and South Wales Advertiser
Llanelli Star
Merthyr Express (Merthyr Tydfil)
Monmouth Guardian (Rhymney)
Negesydd (Glayndon)
North Wales Chronicle and Advertiser For the Principality (Bangor)
North Wales Times (Denbigh)
Pembroke County Guardian and Cardigan Reporter (Solva)
Pontypridd Chronicle and Workman's News
Rhedegydd (Blaenau Ffestiniog)
Rhondda Leader (Tonypandy)
Rhondda Leader, Maesteg, Garw and Ogmore Telegraph (Tonypandy
Rhos Herald (Rhosllannerchrugog)
South Wales Weekly Post (Swansea)
Tenby Observer, Weekly List of Visitors, and Directory
Towyn-on-sea & Meirioneth County Times (Welshpool)
Tyst (Merthyr Tydfil)
Udgorn (Pwllheli)
Welsh Coast Pioneer (Chester)
Welsh Gazette and West Wales Advertiser (Aberystwyth)
Welshman (Carmarthen)
Wythnos A'r Eryr (Bala)

This is an extremely impressive expansion; in fact there are now so many Welsh newspapers I've had to break up the listing in order to make it more readable -- Scotland and Ireland, take note. This raises the question of whether I will continue to include Welsh-language newspapers in this listing: it would make my life easier if I didn't have to check them too, and not many researchers outside of Wales can read Welsh. But when combined with the superior user interface and the completely free access, this makes WNO the most impressive online newspaper archive in Britain. The only limitations are the scope: nothing later than 1919, and nothing that's not Welsh (though it now includes a few titles published outside Wales, in Chester and Liverpool, aimed at or including Welsh markets).

These are the new titles in the British Newspaper Archive (BNA):

Biggleswade Chronicle
Birmingham Daily Mail
Birmingham Daily Post
Birmingham Gazette
Burnley Gazette
Burnley News
Chelmsford Chronicle
Cheshire Observer
Daily Gazette for Middlesborough
Daily Herald
(London)
Daily Record and Mail (Glasgow)
Evening Chronicle (Newcastle)
Evening Despatch (Birmingham)
Folkestone, Hythe, Sandgate & Cheriton Herald and Chronicle & Observer
Hamilton Advertiser
Lancashire Daily Post
(Preston)
Leicester Chronicle
Liverpool Daily Post and Liverpool Mercury
Perthshire Advertiser
Sports Argus
(Birmingham)
Sussex Agricultural Express
Western Mail
(Cardiff)

There are some good things here. Birmingham was previously completely unrepresented, but now it has no fewer than five newspapers, including, unusually, a sports newspaper. However all of them are only available for 1914-1918. The most important newspapers here are probably the Labour Daily Herald and the Cardiff Western Mail, though again they are only for 1914-1918. A small number of titles have actually had issues removed from BNA, whether for copyright or quality control reasons I'm not sure.

The other major archives all have new titles too, though not many. Several Kentish newspapers have been added to ukpressonline for 1914-1918: Herne Bay Gazette, Kent Messenger, and the South Eastern Gazette. More interesting is that these newspapers for the period up to 1912 can be accessed for free, as long as you accessing them in Britain and use a special landing page. It looks like this has been the case for a while, though I missed it because it's not at all obvious from the usual ukpressonline site. Irish Newspaper Archives has added a couple of titles, the Dundalk Democrat and the Skibbereen Eagle. Unfortunately the Kildare Observer, which used to be a free sampler, now has to be paid for. This is probably to do with an upgraded user interface, which is much improved (but unfortunately doesn't seem to work in all browsers). And NewspaperArchive has added a suburban London paper, the North London Mercury And Crouch End Observer, as well as the London and Belfast editions of the US Army newspaper, Stars and Stripes (for the Second World War, obviously).

Finally, a nice standalone (and free!) archive of the Halifax Courier is now available for the First World War period -- thanks to Bruce Gaston for the tip.

2 Comments

The Imperial Aircraft Flotilla

We are familiar enough with the Spitfire Funds of the Second World War, in which patriotic individuals and groups could buy aircraft for the nation. There was a fair amount of precedent for this. In the early 1930s, Lady Houston more than once offered the government hundreds of thousands of pounds for air defence, though this was turned down. Perhaps she was inspired by the Nizam of Hyderabad who in 1917 donated a whole squadron of DH.9As, forming the initial complement of No. 110 Squadron RFC. In fact the idea of civilians donating military aircraft had its origins before 1914, at a time when Britain appeared very weak in the air. Most famously there had been the sorry story of the Morning Post airship, purchased from France in 1910 with the money raised by a subscription fund, damaged on arrival when it tried to squeeze into its hangar, and destroyed on its first flight after being repaired. But the idea persisted. A proposal made by the Review of Reviews during the 1913 airship panic for 'each county, each great city or town, each collection of villages in the homeland and the Empire [to] give one or more aeroplanes to the State' came to not much, though a few months later it was reported that 'a sum of £1000 has been subscribed in British East Africa for the purchase of an aeroplane for Great Britain'.1
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  1. 'Britain’s peril in the air', Review of Reviews 47 (April 1913): 134; Manchester Courier, 4 July 1913, 7

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With my book's publication imminent and my return to the job market beginning to, if not loom, then at least creep up, it's time to think about what's next in terms of a research programme. I had been thinking of something to do with mystery aircraft, and indeed my next small research project, on scares during the First World War, was intended to be part of that. But after turning this idea over for a while, and trying to outline a grant proposal, I don't think this is quite viable, at least not by me, or not by me right now. It's either too big or too small. It's too big in the sense that to do mystery aircraft properly and bring out what is interesting about them, in the sense of speaking to larger historical questions, Britain is too narrow a compass: I really need to do a comparative study across all the English-speaking countries at a minimum, and ideally take in Europe as well, from the 1890s to the 1940s. It's too small in that I'm not sure that what is interesting about mystery aircraft scares is actually all that interesting: at least not interesting enough for a grant committee, and maybe not enough to warrant three years of my life plus a book. And the smaller I make the project, the less interesting it gets. There's probably a happy medium to be struck between these problems (okay, so I maybe don't need to include every single mystery aircraft wave from Australia to the United States, and let's be honest, how interesting is anything I do likely to be?) But perhaps I need to develop more as a historian first. Perhaps I need to step back a bit and look at the bigger picture.

What I am now thinking should be my next project is what I have termed the aerial theatre, the use of aviation spectacle to construct national identity and project national power. This is small enough, in that I can focus just on Britain's aerial theatre, while still drawing comparisons only when and where it is helpful. And it is big enough, in that there is a huge variety of topics I can pull into the aerial theatre concept, many of which I have long been interested in and would love an excuse to study in a more sustained way. Hendon is the prime example, both in its civilian phase under Claude Grahame-White before 1914, and its military phase under the RAF between 1920 and 1937. But I keep thinking of many, many things I could look at. Like Hendon, some of these were organised by civilians and some were organised by the military; some had only incidental civilian audiences, some had only incidental military purposes. The Daily Mail prizes, like the London-Manchester race in 1910. Grahame-White's 'Wake Up, England!' campaign, which toured seaside resorts in the summer of 1912. Empire Air Day, the RAF's 'at home' day in the 1930s. The Air Defence of Great Britain exercises between 1927 and 1931, held around London. Even combat operations, like Operation Millennium, could be considered aerial theatre: it was explicitly designed, in part, to be a media spectacle, to impress people at home and abroad with the power of Bomber Command. I could go on and on, and hopefully will (just not now).
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3 Comments

Under the terms of an agreement made in 1909 between the three main British aviation bodies, the Aeronautical Society of Great Britain concentrated on 'the scientific phases of the movement', the Aero Club of the United Kingdom was responsible for 'sporting and social aspects', and the Aerial League of the British Empire, the one I'm most interested in, took on 'the patriotic and propaganda' side of things.1 In terms of this propaganda role, I've usually tended to see the Aerial League as focusing more on fostering airmindedness among elites than the masses. After all, its ranks were filled with peers, solicitors, generals, journalists, politicians and other examples of the better-off classes of society.

But while this may be fair comment for the interwar League I'm starting to realise that this misrepresents the scope, or at least the ambition, of its activities before 1914. For example, in June 1910 it organised a very successful aeronautical exhibition in the grounds of the Crystal Palace, which ran for a couple of months. Claude Grahame-White's weekly aerial displays were the major drawcard, pulling in up to 10,000 spectators; according to Charles Gibbs-Smith, there were nearly riots when bad weather prevented flying.2 After hosting a luncheon for journalists to show them how the grounds had been adapted for aviation (including the construction of 'What is termed an "aerial cottage" -- that is to say, a cottage with an aeroplane shed attached and forming a part of the design'), Colonel H. S. Massy told them 'that the object of the league was to form a great central aeronautical institute with branches all over the country at which young men of small means would be able to qualify as airmen'.3 So although, as far as I know, this scheme was never attempted, there was at least an idea that it would be desirable to help those who could not otherwise afford to learn to fly.

The motive wasn't simply altruism, of course; it was to do with that other part of the Aerial League's remit, the 'patriotic'. As Massy further explained, 'if we, in this country, allowed the fatal drowsy sense of security born of freedom from foreign attack to gain the upper hand with us, we should not only be a laughing-stock, but an easy prey to our neighbours'.4 The same motivation presumably explains the Aerial League's patronage of a play entitled War in the Air, which premiered at the London Palladium on 23 June 1913. It was written by Frank Dupree, a journalist with the Standard who had flown with Gustav Hamel from Dover to Cologne in April, in an aeroplane which was donated to New Zealand by the Imperial Air Fleet Committee. Unfortunately, I haven't been able to locate any detailed descriptions of the plot in contemporary sources, although one London newspaper ridiculed its stage effects, claiming that 'Nothing [unintentionally] funnier has been seen on the veriety stage for years'.5 However, Andrew Horrall gives a useful précis in Popular Culture in London:

War in the Air, a play designed to arouse the nation to the hovering peril, whose cast included a young Noël Coward, detailed the heroics of Tommy Vincent the commander of Britain's fictional Central Aerial Station. As in many melodramas, female weakness caused the trouble. Vincent's fiancée had unwittingly allowed Britain's enemies to dupe his pilots into believing that the north-east coast was being invaded. As the British squadron headed north, the enemy's aircraft attacked Kent. Needless to say, such an evil, ungentlemanly ruse was discovered when the emboldened fiancée cabled a new warning and was avenged unsparingly as Vincent's planes destroyed the enemy fleet over Dover. These aerial battles were carried out between planes suspended on wires above the audience. Subsequent performances in Willesden and Shoreditch proved to Londoners that British pilots would protect them, from both air and seaborne invasions.6

It sounds like it combined elements of the invasion, naval and spy fiction of the period, which I would argue is quite characteristic; the airship panic earlier in the year -- in which Dupree's paper had played an enthusiastic part -- was much the same, and another airship play which opened a few months later, Sealed Orders, had a similar mix.7 I'm not sure if the Aerial League had any involvement in War in the Air beyond its patronage, and sending along representatives on opening night (as did the Imperial Air Fleet Committee).8 It doesn't appear to be mentioned in the minutes of the Aerial League's executive committee. But what was evidently its message -- the need for aerial preparedness -- certainly fit with the Aerial League's goals.
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  1. Flight, 4 September 1909, 532, 533

  2. The Story of the Air League 1909-1959 (Sidney-Barton, 1959), 5. 

  3. The Times, 7 June 1910, 12. 

  4. Ibid. 

  5. Quoted in New Zealand Herald (Auckland), 20 September 1913, 4

  6. Andrew Horrall, Popular Culture in London c. 1890-1918: The Transformation of Entertainment (Manchester and New York: Manchester University Press, 2001), 93. Horrall's main source is The Era, 28 June 1913, 19. 

  7. Ibid. [Correction: Horrall, Popular Culture in London, 93.] 

  8. The Times, 21 June 1913, 10. 

As we all1 know, the Aerial League of the British Empire (later the Air League of the British Empire, now just the Air League) was founded in 1909. Less well-known is that the Aerial League also sponsored the formation of the Women's Aerial League (they are often described as being affiliated, or as the latter being part of the former, but while relations were friendly the Women's Aerial League seems to have led its own existence), which itself set up the Boys' and Girls' Aerial League (which I think later changed its name to the Young Aerial League). But even less well-known is that all of these aerial leagues were preceded by what seems to have been an entirely separate and apparently very short-lived air league known as Britain's Air League.

The only trace of this I have been able to find so far is a brief article in the Sunday Times in early January 1909:

BRITAIN'S AERIAL LEAGUE

On all hands the signs are visible that the aeroplane is rapidly becoming an accomplished fact. The appalling prospect which its use as an engine of warfare suggests has led to the formation of 'Britain's Aerial League,' the main object of which is to employ every means possible to bring about an international understanding by which the use of airships, aeroplanes, and other aerial machinery shall be prohibited in war, except for observation purposes. The incalculable damage which could be effected in a few hours by a fleet of foreign airships surely needs no insisting upon. Another object of the league is to urge upon public men, without distinction of party, the necessity for placing the United Kingdom upon a level with other countries as regards the building of aerial machines. It will also assist inventors in giving practical trials of their machines. The hon. secretary of the league is Mr. John Mayou, 1, Pump-court, Temple, E.C.2

The obvious question to ask is whether this might be in fact the good old Aerial League of the British Empire, given that it had its first meeting in February 1909, but with advance publicity appearing in the press in late January, less than three weeks after this article appeared. The name is different, of course, but maybe it was decided to change it before the actual launch -- 'Britain's Air League' is a rather awkward formulation, after all. Or perhaps the name was still under discussion at the start of January and the press was notified by mistake. It could be that this Britain's Air League is a glimpse of the embryonic Aerial League of the British Empire.
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  1. For very small values of 'all', obviously. 

  2. Sunday Times, 3 January 1909, 5. 

2 Comments

It's been six months since the last one and so it's time for another update of my list of early 20th century British newspapers online.

The most pleasing addition to the list of newspaper archives for 1901-1950 is the Spectator, the most influential conservative weekly of the period. The Spectator archive is free; near-complete from 1828 to 2008; contains both images and text -- and the OCR is high quality; tagged; and is easy to search or browse. However, there is no advanced search function (though you can use Boolean operators such as AND and NOT). While you can use the Trove-style filters to narrow a keyword search down to a decade of interest, you can't zoom into a year, let alone a month, week or day. There doesn't seem to be any easy way to save article images (the best way I've found is to zoom on the page and use the web browser to save as HTML; you get a lot of extra junk but among them are two usable images). And it's a shame that illustration captions and advertisements appear to have been excluded from the text search, though they are visible visually. Still, it's all still in beta, and did I mention that it's free?

Welsh Newspapers Online is expanding rapidly, having added the following titles:

Aberdare Leader
Brython Cymreig
Cambrian
Cambrian News and Merionethshire Standard
Cardiff Times
Cymro
Cymro A'r Celt Llundain
Lials Llafur
Merthyr Pioneer
Montgomeryshire Express and Radnor Times
North Wales Express
North Wales Weekly News
Papur Pawb
Rhyl Journal
Rhyl Record and Advertiser
South Wales Daily Post
Weekly News and Visitors' Chronicle For Colwyn Bay
Weekly Mail

The coverage for most of these ends in 1910, as with most of WNO's titles; however, Cymro (published in Liverpool), Aberdare Leader, Cambrian News and Merionethshire Standard, Lials Llafur, and Merthyr Pioneer all cover at least the period 1914-1919. The war will be mentioned.
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'Excubitor' is Latin for 'sentinel'; it was the pseudonym chosen by a frequent correspondent on naval affairs for the Fortnightly Review. In March 1908, for example, Excubitor contributed an article entitled 'The British reply to Germany's dreadnoughts'; the following January, 'The blessings of naval armaments'. By May 1913, though, a new theme had appeared. 'Sea and air command: Germany's new policy' argued that the naval arms race with Germany was over: 'the naval predominance of Great Britain in Europe to-day is greater than it was before the passage of the first of the [German] Navy Acts in 1896'.1 But this didn't mean that Germany was going to give up its ambitions to match Britain at sea: it just meant that it was transferring its efforts to the air:

by the development of the new aerial arm -- airships and hydro-aeroplanes -- they hope to turn the scales in their favour. Germany possesses already about twenty large airships and over a dozen 'docks' of a permanent character, apart from private ships and 'docks' subsidised by the Government and available for naval and military use, and it is now proposed to increase the number of aerial Dreadnoughts to forty, and to build many more 'docks.' Cuxhaven, 300 miles from England, is to become a great airship station, with revolving sheds so as to enable the vessels to be launched whatever the direction of the wind, and to set forth, armed with quick-firing guns and provided with explosives, on missions of reconnaissance over the British arsenals and the bases and the bases where British squadrons and flotillas are being prepared for action. British naval strategy is to be robbed of secrecy, and secrecy in preparation is of the essence of successful strategy. This the Admiralstab in Berlin fully realises.2

According to Excubitor, the danger is grave:

Sea-power is costly, while air-power is cheap: for the cost of a single Dreadnought of the sea, a dozen Dreadnoughts of the air, each with a revolving shed of the latest type, can be constructed. German expert opinion believes that by command of the air Germany can neutralise our superiority on the sea, besides unnerving the civil population and thus embarrassing the Government by cruising over these islands -- high above the reach of artillery -- and dropping bombs. This is the confessed policy of Germany, and we have not a single long-range airship by which we can take the only effective defensive action -- the strong offensive.3

And the hour is late:

We cannot reply to the aerial danger by developing our naval or military strength, but we must take the offensive in the air, threatening with our superior airships, in numbers proportionate to our naval strength, any potential enemy. We are now open to attack by Germany, and we must lose no time in placing ourselves in a position to retaliate.4

But not yet too late:

if immediate steps are taken there is no reason why we should not make as secure our command of the air as we are making secure our command of the sea, convinced that the future will show that aerial power and naval power are interdependent and inseparable. The essential point is that we must adopt in aerial matters our well-tried policy in naval matters -- the bold offensive. Our airships, like our sea-ships, must be able to carry war to the enemy's frontiers and thus free us from its horrors. This is the only policy compatible with safety, and to that policy we must bend all our splendid industrial and scientific resources if we are not to incur the risk of our naval supremacy passing from us.5

As I'll discuss in another post, Excubitor was far from alone in asserting an 'interdependent and inseparable' connection between aerial strategy and naval strategy, that Germany was attempting to use its mastery of the air to overcome its inferiority to Britain at sea.


  1. Excubitor, 'Sea and air command: Germany's new policy', Fortnightly Review 93 (May 1913), 868. 

  2. Ibid. 

  3. Ibid., 868-9. 

  4. Ibid., 880. 

  5. Ibid. 

After outlining the Anglo-German naval rivalry and the tariff reform debate, Alfred Gollin, one of the few historians to discuss the subject in any depth, has this to say about the origins of the 1909 phantom airship scare:

This was the intense condition of Britain affairs when the Prime Minister, H. H. Asquith, made his announcement about the government's new aeronautical policy in the House of Commons on 5 May 1909. His speech produced a curious and remarkable result.

People in several parts of England now began to see airships in flight, in places where it was impossible for such aerial vehicles to be.1

It's true that it was right about this time that phantom airship sightings took off. However, some of these took place before 5 May, some as far back as March. Moreover, the contents of Asquith's speech (which was quite short and hardly deserves the name) were not exactly sensational and seem unlikely to have caused much apprehension. He had two main points to make. The first was that 'The Government is taking steps towards placing its organisation for aerial navigation on a more satisfactory footing':

As the result of a Report made by the Committee of Imperial Defence, the work of devising and constructing dirigible airships and aeroplanes has been apportioned between the Navy and the Army. The Admiralty is building certain dirigibles, while certain others of a different type will be constructed at the War Office Balloon Factory at Aldershot, which is about to be reorganised for the purpose. The investigation and provision of aeroplanes are also assigned to the War Office.2

The second was to announce the formation of a 'Special Committee' under the presidency of Lord Rayleigh and the chairmanship of H. T. Glazebrook to oversee 'investigations at the National Physical Laboratory and for general advice on the scientific problems arising in connection with the work of the Admiralty and War Office in aerial construction and navigation'.3

It could be that it was the way Asquith's announcement was reported that was the trigger. But while the major newspapers did report it, again there doesn't seem like there was much to excite the general public. Most press reactions that I've looked at treated it as a welcome, if overdue, development, and expressed hopes that Britain would now be able to catch up to Continental standards in aviation -- not only those like the Manchester Guardian which were in political sympathy with the government, but also those which were not, like the Standard, the Globe, and even the Manchester Courier, which by 1913 had definitely decided that the aerial defence of the nation could not be entrusted to the Liberals. It's true that The Times and the Observer did criticise the makeup of the Rayleigh committee (mainly on the grounds that there were very few members with practical aviation experience), but even so there was no suggestion of immediate peril.

So I'm sceptical. But I'm also sympathetic. It's natural to seek some definite cause of these puzzling events -- I do it myself: I think successfully in the Australian case in 1918, with the report of the Wölfchen's flight over Sydney; less so in my 4th year thesis, when I suggested that the outbreak of the First Balkan War was somehow responsible for the Sheerness incident. Why did some people see mystery airships in March 1909? Why did a lot more start seeing them in May? Why did they stop seeing them by the end of the month? The last is actually relatively easy to explain: the scare collapsed under its own weight, as too many airships were being reported to be credible and the press became sceptical. By the same token, the press was certainly crucial in the expansion phase, by reporting on the growing phenomenon and suggesting to people that there really were airships flying around at night. So it's finding the initial spark that is the real problem, and generally there isn't a satisfactory one to be had. I think it's essentially random. People see strange things in the sky from time to time. Sometimes they think they're airships, because what else could they be? Usually they are ignored, even if they tell somebody. Sometimes, though, the reports are picked up and amplified by the press, which is when the scare proper begins. There's no single ultimate cause; it's more the vibe, the popular understanding of aviation. To an extent this process is irrational, then; which makes me think that maybe Asquith's announcement could have been one of the triggers after all.


  1. Alfred Gollin, The Impact of Air Power on the British People and their Government, 1909-14 (Stanford: Stanford University Press, 1989), 53. 

  2. HC Deb, 5 May 1909, vol. 4, col. 1047

  3. Ibid., col. 1048. 

3 Comments

Having updated my list of online early 20th century British newspapers, I have mostly good news to report. The most exciting development comes from Wales. I have previously lamented the total lack of digitised Welsh newspapers from the period 1901-1950, and it appears that in large part the reason for this is that the National Library of Wales has been busy scanning and OCRing, and the first fruits of its labours are now available at the Welsh Newspapers Online site. Already there are 14 titles available, some in Welsh, some in English, some in both:

Aberdare Times
Aberystwyth Observer
Celt
Dydd
Goleuad
Gwyliedydd
Llangollen Advertiser and North Wales Journal
London Kelt
London Welshman
Pembrokeshire Herald and General Advertiser
Prestatyn Weekly
Seren Cymru
Swansea Gazette and Daily Shipping Register
Tarian Y Gweithiwr

Future digitisation plans are ambitious: I count 55 titles with 20th century content scheduled to added later this year, and there's more to come, including many journals. The OCR quality seems very high, which is crucial for search, and the article interface is really very nice and pleasant to use. Best of all, Welsh Newspapers Online is completely free. It's fantastic that Wales has decided to make its cultural heritage open to the world in this way; most other UK newspaper archives are locked up behind a paywall.
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Dellschau 1969

The art of Charles Dellschau has been receiving some attention lately, thanks to the recent publication of a book about his work. Dellschau, who produced thousands of strange and wonderful watercolours, drawings and collages in Houston, Texas, between about 1899 and 1922, is significant as an early outsider artist, but he is mainly of interest to me for two things. Firstly, his subject matter: his artwork is filled with strange flying machines (balloons? airships? aeroplanes?) intermingled with press clippings about aviation. Secondly, his overarching narrative: that his artwork records the activities of the Sonora Aero Club, a secret group of airminded inventors who actually created and flew the aircraft he depicted in California in the mid-nineteenth century. This is a beguiling idea, and some of Dellschau's admirers have tried to find out whether it is actually true (such as Pete Navarro, who is largely responsible for rescuing Dellschau's work). The Atlantic describes it as 'The Amazing Story of an Airship Club That Might Never Have Existed', as though we should be surprised if it had not. But it seems abundantly clear to me that we can in fact say that it pretty much definitely never existed. There is no evidence for the Sonora Aero Club that does not appear in Dellschau's artwork, but plenty against it elsewhere in the historical record.
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