Books, Publications

Teasing

My book is now finished: the cover has been finalised, the proofs are complete, the index is done, the files have been sent to the printers. Publication is now only a month away. Ashgate has put up some teasers on its website: the table of contents, the introduction, and the index. I found my first […]

Acquisitions, Books

Acquisitions

James Brown. Anzac’s Long Shadow: The Cost of Our National Obsession. Collingwood: Redback, 2014. Brown has garnered a lot of attention recently for his critique of the Anzac myth. What is perhaps most interesting about his position is that he isn’t coming at the question from a historical or even political position: his argument is

1910s, Australia, Conferences and talks

Abstract: AHA 2014

I heard today that my proposed paper for this year’s Australian Historical Association conference has been accepted, so I’ll be going to Brisbane and the University of Queensland in July. (Better winter than summer, the only time of year I’ve been previously, I’m quite sure.) The title and abstract are as follows: Rumours of war:

Acquisitions, Books

Acquisitions

Michele Haapamaki. The Coming of the Aerial War: Culture and the Fear of Airborne Attack in Inter-war Britain. London and New York: I. B. Tauris, 2014. Michele may be better known to some of you as the Idle Historian, at her blog or on Twitter. She’s also now a published author, and I’ve been looking

Acquisitions, Books

Acquisitions

Peter Adey, Mark Whitehead and Alison J. Williams, eds. From Above: War, Violence and Verticality. London: Hurst & Company, 2013. A collection of essays on the aerial view and how it has changed war. While there is a lot of historical detail in here, most of the contributors to this volume are geographers, rather than

1910s, 1920s, Art, Before 1900, Blogging, tweeting and podcasting, Ephemera, Music, Periodicals, Phantom airships, mystery aeroplanes, and other panics, Pictures, Tools and methods

Half full and half empty

Getty Images has just announced an embed function, which makes it possible to very easily use images from their collections in blogs and other social media, while simultaneously maintaining Getty Images’ rights and — this is the really nice bit — avoiding the use of unsightly watermarks. This is rightly being greeted with enthusiasm (though

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