I’ve just submitted an article for peer review, ‘The airship panic of 1913: the birth of aerial theatre and the British fear of Germany on the eve of the Great War’. I’m not going to say where, since it will likely be rejected and I don’t need to have a public record of my failures! […]
This cartoon appeared in Flight in 1913.1 It’s entitled ‘In 1950’ with the caption ‘Flitting — by the light of the Easter moon’. Now, ‘flitting’ is a term used in Scotland and the north of England to mean moving house. It is, or at least was, a practice which happened much more often there than
I heard today that my proposed paper for this year’s Australian Historical Association conference has been accepted, so I’ll be going to Brisbane and the University of Queensland in July. (Better winter than summer, the only time of year I’ve been previously, I’m quite sure.) The title and abstract are as follows: Rumours of war:
Getty Images has just announced an embed function, which makes it possible to very easily use images from their collections in blogs and other social media, while simultaneously maintaining Getty Images’ rights and — this is the really nice bit — avoiding the use of unsightly watermarks. This is rightly being greeted with enthusiasm (though
Under the terms of an agreement made in 1909 between the three main British aviation bodies, the Aeronautical Society of Great Britain concentrated on ‘the scientific phases of the movement’, the Aero Club of the United Kingdom was responsible for ‘sporting and social aspects’, and the Aerial League of the British Empire, the one I’m
[Cross-posted at Society for Military History Blog.] On 15 February 1915, the Winnipeg Evening Tribune‘s daily astrology column noted the unfavourable positions of Mars and Uranus: The affliction of Mars this month is ominous of outrages against persons in power. A disaster that will shock the people living in cities is threatened. Uranus foreshadows peril
A key element in any wargame is the scenario. It sets the boundaries in time and space of the simulation, as well as its initial conditions. For a historical wargame, a scenario might be the battle of Cannae, or the British and Canadian sectors at D-Day. Creating such scenarios involves researching orders of battle, contemporary
So, I want to construct a knock-out blow wargame. In my PhD/book, I define an ideal knock-out blow from the air as having six key characteristics. Three of these describe the attack itself: surprise, scale, and speed. Three describe what it destroyed: infrastructure, morale, and civilisation itself. Starting with the attack, as this will define
This is the poster produced by the Navy League in 1913 as a key part of its campaign to force the government to increase the amount it spent on military and naval aviation — or as the poster itself puts it, rather more succinctly: THE NAVY LEAGUE DEMANDS £1,000,000. FOR AERIAL DEFENCE BRITONS WAKE UP!
As I discussed recently, Philip Sabin’s Simulating War: Studying Conflict through Simulation Games (London and New York: Bloomsbury, 2012) is primarily about using wargames to understand past wars. This is sensible; apart from the obvious benefit of helping us to understand history better, there’s also the useful featurethat there are some facts to go on
