[Part of a celebration of Airminded's 10th anniversary; originally posted on 1 March 2014. This was an initial roughing out of an idea for my next big research project, which hasn't quite happened because I've been distracted by other things and haven't got any funding yet. But I still hope to pursue it in some form.]

Under the terms of an agreement made in 1909 between the three main British aviation bodies, the Aeronautical Society of Great Britain concentrated on 'the scientific phases of the movement', the Aero Club of the United Kingdom was responsible for 'sporting and social aspects', and the Aerial League of the British Empire, the one I'm most interested in, took on 'the patriotic and propaganda' side of things.¹ In terms of this propaganda role, I've usually tended to see the Aerial League as focusing more on fostering airmindedness among elites than the masses. After all, its ranks were filled with peers, solicitors, generals, journalists, politicians and other examples of the better-off classes of society.

But while this may be fair comment for the interwar League I'm starting to realise that this misrepresents the scope, or at least the ambition, of its activities before 1914. For example, in June 1910 it organised a very successful aeronautical exhibition in the grounds of the Crystal Palace, which ran for a couple of months. Claude Grahame-White's weekly aerial displays were the major drawcard, pulling in up to 10,000 spectators; according to Charles Gibbs-Smith, there were nearly riots when bad weather prevented flying.² After hosting a luncheon for journalists to show them how the grounds had been adapted for aviation (including the construction of 'What is termed an "aerial cottage" -- that is to say, a cottage with an aeroplane shed attached and forming a part of the design'), Colonel H. S. Massy told them 'that the object of the league was to form a great central aeronautical institute with branches all over the country at which young men of small means would be able to qualify as airmen'.³ So although, as far as I know, this scheme was never attempted, there was at least an idea that it would be desirable to help those who could not otherwise afford to learn to fly.

The motive wasn't simply altruism, of course; it was to do with that other part of the Aerial League's remit, the 'patriotic'. As Massy further explained, 'if we, in this country, allowed the fatal drowsy sense of security born of freedom from foreign attack to gain the upper hand with us, we should not only be a laughing-stock, but an easy prey to our neighbours'.⁴ The same motivation presumably explains the Aerial League's patronage of a play entitled War in the Air, which premiered at the London Palladium on 23 June 1913. It was written by Frank Dupree, a journalist with the Standard who had flown with Gustav Hamel from Dover to Cologne in April, in an aeroplane which was donated to New Zealand by the Imperial Air Fleet Committee. Unfortunately, I haven't been able to locate any detailed descriptions of the plot in contemporary sources, although one London newspaper ridiculed its stage effects, claiming that 'Nothing [unintentionally] funnier has been seen on the veriety stage for years'.⁵ However, Andrew Horrall gives a useful précis in Popular Culture in London:

War in the Air, a play designed to arouse the nation to the hovering peril, whose cast included a young Noël Coward, detailed the heroics of Tommy Vincent the commander of Britain's fictional Central Aerial Station. As in many melodramas, female weakness caused the trouble. Vincent's fiancée had unwittingly allowed Britain's enemies to dupe his pilots into believing that the north-east coast was being invaded. As the British squadron headed north, the enemy's aircraft attacked Kent. Needless to say, such an evil, ungentlemanly ruse was discovered when the emboldened fiancée cabled a new warning and was avenged unsparingly as Vincent's planes destroyed the enemy fleet over Dover. These aerial battles were carried out between planes suspended on wires above the audience. Subsequent performances in Willesden and Shoreditch proved to Londoners that British pilots would protect them, from both air and seaborne invasions.⁶

It sounds like it combined elements of the invasion, naval and spy fiction of the period, which I would argue is quite characteristic; the airship panic earlier in the year -- in which Dupree's paper had played an enthusiastic part -- was much the same, and another airship play which opened a few months later, Sealed Orders, had a similar mix.⁷ I'm not sure if the Aerial League had any involvement in War in the Air beyond its patronage, and sending along representatives on opening night (as did the Imperial Air Fleet Committee).⁸ It doesn't appear to be mentioned in the minutes of the Aerial League's executive committee. But what was evidently its message -- the need for aerial preparedness -- certainly fit with the Aerial League's goals.
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1. Flight, 4 September 1909, 532, 533. [↩]
2. The Story of the Air League 1909-1959 (Sidney-Barton, 1959), 5. [↩]
3. The Times, 7 June 1910, 12. [↩]
4. Ibid. [↩]
5. Quoted in New Zealand Herald (Auckland), 20 September 1913, 4. [↩]
6. Andrew Horrall, Popular Culture in London c. 1890-1918: The Transformation of Entertainment (Manchester and New York: Manchester University Press, 2001), 93. Horrall's main source is The Era, 28 June 1913, 19. [↩]
7. Ibid. [Correction: Horrall, Popular Culture in London, 93.] [↩]
8. The Times, 21 June 1913, 10. [↩]

[Part of a celebration of Airminded's 10th anniversary; originally posted on 15 May 2013. I've come up with some absolutely terrible titles for Airminded posts, but I like this one very much.]

Roland Garros is today mainly known for having given his name to the home of French tennis. But long before then he was famous as a pioneer aviator in both peace and war. In December 1912, for example, he set a new altitude record of 17,000 feet, while in September 1913 he made the first non-stop flight across the Mediterranean, from France to Tunisia. On the outbreak of war the following year, he joined the French Army as a pilot flying Morane Parasols and flew his first combat mission in mid-August. After some unsatisfactory initial experiments with a rifle-armed observer, Garros sought a way of firing a machine gun in the direction of flight. By April 1915 he had a Parasol equipped with the first deflector gear, which consisted of an armoured propellor with deflecting plates, the idea being that any bullets which hit the propellor would bounce off and the rest would pour into the enemy aircraft. As insane as this seems, it worked, enough: Garros shot down three German aeroplanes in a few weeks, before being forced down behind enemy lines himself and captured. His war wasn't over, however. He escaped from a POW camp in Magdeburg in February 1918, made his way back to France and then back into the air, and claimed a fourth German victim before being killed in action in October, just over a month before the Armistice.¹

Despite never meeting the formal definition of five combat kills (which anyway wasn't settled until after his capture), the ovations awarded him by an adoring press had effectively made Garros the first air ace. He wasn't the first French airman to shoot down an enemy aircraft, but something about the solitary nature of his victories captured the public imagination, and set the template for the more successful aces of all nationalities who followed him. So it's interesting to discover that this narrative was prefigured by a rumour about Garros published in the British press at the very beginning of the war, which had him ramming and destroying a Zeppelin at the cost of his own life.
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1. Robert Wohl, A Passion for Wings: Aviation and the Western Imagination, 1908-1918 (New Haven and London: Yale University Press, 1994), 203-10, 238-9. [↩]

[Part of a celebration of Airminded's 10th anniversary; originally posted on 31 August 2011. This is one of a number of posts from Airminded's 7th year making an interesting or original point which probably deserve a wider audience somehow, but which either fall a bit outside my comfort zone or aren't quite big enough for an article. Or I just haven't found the time to write them up. So here (and in Google) they remain, for now.]

As Alan Allport has noted, Winston Churchill's famous speech of 20 August 1940 was and is remembered for a 'single, unrepresentative sentence', i.e.:

Never in the field of human conflict was so much owed by so many to so few.

The speech was given during the Battle of Britain, and 'the Few' are universally taken to be the pilots of Fighter Command, the last line of defence against the Luftwaffe. But, as Alan says, Churchill had relatively little to say about the Battle that day -- he did talk about it, but only as part of a general speech on the war situation. I suggested that if you read the line in context, it actually looks like Churchill is talking about Bomber Command, as he doesn't dwell on Fighter Command at all.
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[Part of a celebration of Airminded's 10th anniversary; originally posted on 3 March 2011. Sometimes, blogging takes time. Which reminds me, there are at least two posts I need to finish writing... one day.]

A recent comment by J Campbell raised the question of whether Nevil Shute's 1949 novel No Highway was in fact a prediction of the De Havilland Comet airliner's metal fatigue problems, which led to two crashes ('hull losses', in industry parlance) in 1954. My response was that it seemed unlikely that Shute had any particular insider knowledge which could have led to such a prediction (made before the prototype had even flown) given that he had already been out of the aircraft manufacturing business for some years. (And if he did have reason to think that the Comet would have metal fatigue, why not warn de Havilland instead of writing a novel?) My own suggestion was that instead No Highway might have been loosely inspired by the R101 disaster back in 1930, a formative moment in Shute's life. Having read the novel now, I don't have any actual evidence for this, but there is an intriguing additional parallel which may have been overlooked (or not, I'm no Shute scholar).

In Shute's novel -- spoilers ahead -- the tailplane of the (fictional) Rutland Reindeer (seen above, from the 1951 film version No Highway In The Sky) is believed by an RAE scientist named Theodore Honey to be susceptible to metal fatigue. The story revolves around the efforts of Honey and Scott, his superior at Farnborough, to prove that an earlier Reindeer crash was due to metal fatigue and so ground the Reindeer fleet before disaster strikes. The obstacles include a slapdash investigation of the previous accident, entrenched interests at the Reindeer's manufacturer Rutland and its operator CATO, the (also fictional) Commonwealth Atlantic Transport Organisation, the novelty of Honey's fatigue theory (inspired by recent advances in nuclear physics!), and Honey's own diffident character and his eclectic interests, including pyramidology, British Israelism, the Second Coming (predicted for 1994), interplanetary rocket travel and spiritualism. Of which more in a moment.
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[Part of a celebration of Airminded's 10th anniversary; originally posted on 25 April 2010. My first substantial, and I think still my most effective, critique of Anzac.]

It's Anzac Day once again. On Anzac Day, Australia remembers some things but forgets others. We remember the sacrifices of the original Anzacs at Gallipoli, but forget that it wasn't only Australians who suffered. We remember the many thousands of young Australians who have fought in foreign wars since then, but forget to ask why they were there. We remember that war can bring out the best in people, but forget that it can also bring out the worst.

One thing we tend to forget is Australia's part in the bombing of Europe in the Second World War. There are a few memorials and exhibits, but when we think of Anzacs we usually think of slouch hats, not flying helmets.
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[Part of a celebration of Airminded's 10th anniversary; originally posted on 29 August 2008. This is the first post of my day-by-day blogging -- postblogging -- of the Sudeten (or Munich) crisis; the others can be found here. I was briefly a pioneer of this kind of thing, but it's a pretty obvious idea which you can find all over Twitter, these days. For the blogging historian, it's a useful exercise just for the way it immerses you in the fog of history.]

The Sudeten crisis (or Czech crisis, or Czech-German crisis as it is called here) wasn't front-page news in the Manchester Guardian on 29 August -- it was on page 9. But that was actually where most newspapers put the most important news. Compared with those of today, British newspapers of the 1930s and before seem to be inside out. The first few pages would have classified ads, then there might be sport, then domestic news. Then, in the middle spread, easy to find when you open the paper, would be the index, leading articles (editorials) and other commentary on the left-hand side, and the major news of the day on the right. (This particular issue had 16 pages, so the leaders were on page 8 and the news on page 9.) Then, on following pages, there might be foreign news, business news, and letters to the editor on the last page. So the Sudeten crisis wasn't front-page news, it was middle-page news!

So, here we see that there is already fairly intense diplomatic activity going on. Neville Chamberlain, the Conservative prime minister (though leading a coalition National Government) is to meet with his ministers (those who were 'available': it was the end of summer and Parliament was in recess, so not everyone was around. Chamberlain himself had just returned from Hampshire). The ambassador to Germany, Sir Nevile Henderson (a pro-German -- always what you want in an ambassador to Germany), has been recalled for discussions. And Konrad Henlein met with Lord Runciman on the weekend. Runciman was a former Liberal MP and minister who had been sent by Chamberlain (albeit in an unofficial capacity) to mediate between the Sudeten minority and the Czechoslovakian government after an earlier crisis. He was known to favour the Sudetens. Henlein was always described as the leader of the Sudeten Germans, but he was actually leader of the Sudeten German Party, which was not the same thing since the Sudetens did not have autonomy. Indeed, autonomy is ostensibly what Henlein was seeking on behalf of the Sudetens.
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[Part of a celebration of Airminded's 10th anniversary; originally posted on 17 May 2008. I reuse these visualisations of the Blitz and the knock-out blow from the air, especially the second one, all the time -- they're in my book and just this week I showed them in a lecture and a conference paper. So it's one of Airminded's more useful posts.]

The talk at Earth Sciences went well, I think. It was a good-sized audience and they seemed interested in what I had to say, judging by the questions afterwards. I also found out that one of the honorary fellows had actually lived in London during the war, and though only a child could remember watching out for V1s passing overhead and even the 'electric' atmosphere of the day that war was declared.

I was all set to record the talk, but forgot to fire up the audio app. At some point, I may try recording it again at home or just putting the text up. Until then, here are a couple of the graphs I used, along with some different ways of presenting the same numbers. (Except where indicated, the data is courtesy of Dan Todman, who compiled it from Home Office files. Thanks Dan!)

Firstly, this shows the civilian casualties (killed and seriously wounded) each month in Britain due to enemy action between 1939-1945. Most -- all? -- of these will have the result of bombing, so I've labeled it accordingly. (This is the counterpart of a histogram I did for 1914-1918, except that combined civilian and military casualties, and separated different forms of attack.) It's easy to pick out the Luftwaffe's major offensives: the biggest peak is September 1940, when the Blitz started; it ended in May 1941, after which casualties were never so high again. There's a relative lull in January and February 1941, due largely to bad weather conditions. In April-June 1942, there's the Baedeker Blitz and from January 1944, the Baby Blitz. Then there's the V-1 offensive in June-September 1944 and the V-2 offensive in September 1944-March 1945.
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[Part of a celebration of Airminded's 10th anniversary; originally posted on 22 December 2006. My first attempt to set out a scholarly justification of my fascination with mystery aircraft.]

On the night of 23 March 1909, a police constable named Kettle saw a most unusual thing: 'a strange, cigar-shaped craft passing over the city'¹ of Peterborough, Cambridgeshire. His friends were sceptical, but his story was corroborated, to an extent, by Mr Banyard and Mrs Day, both of nearby March, who separately saw something similar two nights later. In fact, these incidents were only the prelude to a series of several dozen such sightings throughout April and especially May, mostly from East Anglia and South Wales. As the London Standard noted in May, there seemed to be common features to the various eyewitness accounts:

With few exceptions they all speak of a torpedo-shaped object, possessing two powerful searchlights, which comes out early at night.²

So, what was torpedo-shaped and capable of flight in 1909? An airship, of course. The press (metropolitan and provincial) certainly assumed that the most likely explanation for these 'fly-by-nights' was an airship or airships, generally terming them 'phantom airships', 'mystery airships', 'scareships' or something similar.
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1. Standard (London), 17 May 1909, p. 9. [↩]
2. Ibid. [↩]