Since I’ll be undertaking a research trip to the UK this November or so, I need to think about exactly what I’m going to do there. Giving a paper at the AHA is part of that process. That will hopefully help me formulate my approach or at least identify potential approaches to comparing airship, spy […]
I’ve just submitted an article for peer review, ‘The airship panic of 1913: the birth of aerial theatre and the British fear of Germany on the eve of the Great War’. I’m not going to say where, since it will likely be rejected and I don’t need to have a public record of my failures!
My book is now finished: the cover has been finalised, the proofs are complete, the index is done, the files have been sent to the printers. Publication is now only a month away. Ashgate has put up some teasers on its website: the table of contents, the introduction, and the index. I found my first
James Brown. Anzac’s Long Shadow: The Cost of Our National Obsession. Collingwood: Redback, 2014. Brown has garnered a lot of attention recently for his critique of the Anzac myth. What is perhaps most interesting about his position is that he isn’t coming at the question from a historical or even political position: his argument is
This cartoon appeared in Flight in 1913.1 It’s entitled ‘In 1950’ with the caption ‘Flitting — by the light of the Easter moon’. Now, ‘flitting’ is a term used in Scotland and the north of England to mean moving house. It is, or at least was, a practice which happened much more often there than
I heard today that my proposed paper for this year’s Australian Historical Association conference has been accepted, so I’ll be going to Brisbane and the University of Queensland in July. (Better winter than summer, the only time of year I’ve been previously, I’m quite sure.) The title and abstract are as follows: Rumours of war:
I often toss the nouns scare and panic around. One of my articles is titled ‘The air panic of 1935’, another is subtitled ‘airmindedness and the Australian mystery aeroplane scare of 1918’. Sometimes I use them to mean the same thing: in the former article, about the press agitation for RAF expansion in response to
Michele Haapamaki. The Coming of the Aerial War: Culture and the Fear of Airborne Attack in Inter-war Britain. London and New York: I. B. Tauris, 2014. Michele may be better known to some of you as the Idle Historian, at her blog or on Twitter. She’s also now a published author, and I’ve been looking
A number of people suggested that the bleedthrough apparent in my book’s cover art could be removed easily enough, and so I went back and asked Ashgate if it could be fixed. And it can and it has been and here is the result. Perfect!
Peter Adey, Mark Whitehead and Alison J. Williams, eds. From Above: War, Violence and Verticality. London: Hurst & Company, 2013. A collection of essays on the aerial view and how it has changed war. While there is a lot of historical detail in here, most of the contributors to this volume are geographers, rather than
