I've just had another article accepted, this time by the Journal of Contemporary History: 'The air panic of 1935: British press opinion between disarmament and rearmament' (the panic in question being over the creation of the Luftwaffe). It should appear in early 2011. And it was a difficult article, actually. I originally carved it out of two chapters of my thesis, with a 'theoretical' part and 1935 as a case study. But while the referees thought it had merit overall, they weren't convinced by the theory and thought the case study too weak. So I decided to ditch the theory, do some more research and focus on the 1935 air panic. I spent most of the summer rewriting it, and luckily it's paid off! Although I'm allowed to put a pre-peer review copy on the web, I've decided not to because it has very little in common with the final version. But I'm sure the world can wait to read it!
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I'm pleased to announce that my first paper has been accepted for publication, by War in History. It's about the international air force idea and is entitled 'World police for world peace: British internationalism and the threat of a knock-out blow from the air, 1919-1945'. It won't actually appear for some time, but under the terms of the publishing agreement I'm allowed to make the originally-submitted version (i.e. before peer review) available for download. It can be found from my publications page.
Last year I wrote a post in which I tried to work out the identity of Neon, the author of an eccentric but popular diatribe against aviation entitled The Great Delusion (1928). I concluded it was 'probably' Bernard Acworth, and not his third cousin (by marriage) Marion Acworth, as is usually suggested. Giles Camplin kindly offered to reprint my post in Dirigible, the journal of the Airship Heritage Trust which he edits. I took the opportunity to do some more research and reflection, which just confused the issue! To cut a long story short, I still think Bernard was Neon, but suggest that Marion did have input to or at least influence on The Great Delusion. And if you do want the long story, see the Summer 2009 edition of Dirigible!
Not surprisingly, there are a number of articles on interesting subjects in this issue: an obscure airship built in Staffordshire in 1909 by a Mr Deakin; the almost-equally-obscure story of the Britannia Airship Committee, an attempt to fund and build a rigid airship for the Navy in 1913-4; Zeppelin raids on England; sound detectors of the north-east coast; and more! Well worth a read.
Earlier this year, I mentioned that I had joined the editorial collective of Melbourne Historical Journal. Well, against all odds (or so it seemed at times!) we produced what I think is a pretty good issue. Lynette Russell graciously launched it this evening at the Re-orienting Whiteness conference, and it's now available for purchase. (Or if you can somehow restrain yourself for the moment, and you have access, it will be available on Expanded Academic ASAP in due course.)
Here's the table of contents:
Features: The Historical Significance of the Apology to the Stolen Generations
Duplicity and Deceit: Gary Foley’s Take on Rudd’s Apology to the Stolen Generations
Apologising for Stolen Time
By Chris Healy
The Apology & the Man at the Funeral
By Robert Kenny
Articles
New Perspectives on the Past: YouTube, Web 2.0 and Public History
By Megan Sheehy
'Lest We Forget': Creating an Australian National Identity from Memories of War
By Clemence Due
Babeuf and the Gracchi: A Comparison of Means and Ends
By Peter Russell
There's also a range of book (and exhibition) reviews, including one by me, of Britain Can Take It: British Cinema in the Second World War, by Anthony Aldgate and Jeffrey Richards (London and New York: I. B. Tauris, 2007) and The Battle of Britain on Screen: 'The Few' in British Film and Television Drama, by S. P. MacKenzie (Edinburgh: Edinburgh University Press, 2007). Don't buy it on that account, though -- in fact I can sum up my conclusions as follows: they're both excellent, though Britain Can Take It probably isn't worthwhile if you've got the previous edition.
Editing the journal was a great experience, and I think helped me with my own writing. Good luck to next year's collective!
I've got an article in the current (November 2008) issue of Fortean Times (named, of course, after Charles Fort). It's not at all airminded, it's not really historical either -- it has more to do with my shady astrophysicist past. It's about the famous Betty and Barney Hill abduction incident in New Hampshire in 1961 -- that's alien abduction, supposedly. In a hypnosis session a couple years later, Betty recalled being shown a star map on board her abductor's craft, supposedly of nearby space. In the late 1960s and early 1970s, a schoolteacher named Marjorie Fish used the latest astronomical data in a prodigious effort to match the map to real stars near the Sun. And eventually she found a good match, which has been touted by some ufologists as scientific proof of the reality of alien visitation, possibly from Zeta Reticuli.
Except that nobody ever checked Fish's model against new astronomical data gathered over the last three decades, in particular the parallax observations made by the Hipparcos satellite in the early 1990s. When you do this, the Fish interpretation falls to pieces! Using her own assumptions and the new data, six of the fifteen stars chosen by Fish must be excluded, which is no match at all. And that's what my article is about. So I think this makes me, officially, a dirty debunker. Or maybe a noisy negativist.
I have an erratum: a footnote I added late in the editing process didn't make it through. It should have come after the word 'collapse' in the fifth sentence in the last column on page 51:
Since writing the above, I have been made aware of an unpublished and thorough analysis of the Fish interpretation by Charles Huffer of MUFON, which also uses Hipparcos data to reach conclusions similar to mine.
Anyway, I promise there will be some aeroplaney stuff soon :)
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Post-blogging the Sudeten Crisis: The British Press, August-October 1938
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The Scareship Age, 1892-1946
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