Compare and contrast. The Daily Mail in 2007:

During the dark days of the Second World War, British children passed the time with marbles, hopscotch, tiddlywinks and, for a lucky few, a Monopoly set.

But over in Germany, the amusements were far less innocent.

In one version of bagatelle named Bombers over England, children as young as four were encouraged to blow up settlements by firing a spring-driven ball on to a board featuring a map of Britain and the tip of Northern Europe.

Players were awarded a maximum 100 points for landing on London, while Liverpool was worth 40.

And the Daily Mail in 2010:

British children of the time were playing marbles and hidding [sic] in air raid shelters.

But for youngsters under the Third Reich, this board game was invented to teach them the tactics of warfare – against a British foe.

The war time amusement, Adlers Luftverteidigungs spiel, which translates as the Eagle Air Defence Game, involves two or more players attacking enemy positions on a geographically illustrated board while defending friendly territory.

The supposed contrast between pacifist British kids and militarist German kids is as silly now as it was then. Apparently the Daily Mail hasn't learned anything in the interim. (I checked to see if the same person was responsible for both, but the new article is credited to the improbably-named "DAILY MAIL REPORTER".) The only difference is in the quality of the comments: last time they took the writer to task for his foolishness, now they're almost spEak You're bRanes-worthy.

No doubt there were differences between British and German games of the period — it's hard to imagine any British equivalent of the 1936 game Juden Raus, where the aim is to force the Jews in your town to emigrate to Palestine — but simplistic dichotomies (as the Daily Mail seems to be fond of) are not going to help us understand what they were.

Yet another British war game to add to the pile, this one from 1922: The Raider.

A copy of a new game called "The Raider" has been received from Enstone and Lilienfeld, of 47, Berners Street, W.1. The game consists of a large sheet divided into squares, the whole showing a view of a battle-front seen from the air. The game is played with miniature attacking and defending aircraft, and is further complicated by machine gun and shrapnel barrage, contrary winds and failing engines. Moves are made by throwing dice, the object being for the attacking force — 3 in number — to reach and bomb a village and return intact.

The defending force is 9 in number, and these take off from two different aerodromes. The game, which was invented by an officer of the R.A.F., is so designed that experience in the gentle art of scrapping in the air is of considerable value to the players. The price is 5s. net.

Incidentally, Messrs Enstone and Lilienfeld, by whom the game is made and marketed, are ex-officers of the R.A.F., and they have besides a most amazing selection of "Brainwave" games and implements with which to pass the time amusingly.

This is rather interesting, especially given the timing: about 5 weeks after P. R. C. Groves popularised the knock-out blow in a series of articles The Times. I think you could just about knock together a boardgame in that time; on the other hand, Messrs Enstone and Lilienfeld might have working on it for some time and it may just be a coincidence. The object is to bomb (or defend) a village, which could be considered a civilian target, though given that the map is described as a 'battle-front' I'd say it's more likely that it's being attacked to support ground operations. The defenders out-number the attackers by three to one, which seems unusual in these sorts of games: normally the forces are quite symmetrical. It suggests a "bomber will always get through" mentality, but it could also just as easily be the result of the way the game is set up (for example, perhaps the defending player gets to choose where their aerodromes are, but does so before the attacker: they would then be at a severe disadvantage unless they had more units to play with). And the suggestion that the game is 'so designed that experience in the gentle art of scrapping in the air is of considerable value to the players' implies that the rules allow the possibility for aerial manoeuvring and are in some sense intended to be "realistic" rather than abstract (as do the rules about AA, wind and engine failure), though I wonder how that works given that movement is said to be based on die rolls.

Google seems not to know about The Raider so presumably it wasn't a big seller, despite the Aeroplane's best efforts.