1940s

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Do these photos, taken early in the Battle of Britain, show a British mystery weapon? (I could just say “no”, but that wouldn’t be very interesting, would it.)

Evening Independent, 14 August 1940, 1

The above photo appeared on the front page of an American newspaper, the St Petersburg Evening Independent, on 14 August 1940. The caption reads:

This picture taken Aug. 11 shows, according to British censor-approved caption, a German raider plane “caught amidst an anti-aircraft barrage of bursting shells” — somewhere over the British coast. The balloon-shaped object in lower left-hand corner was not identified, but London caption emphasized it was not a balloon. Whether it was a “mystery weapon” of any nature could not be ascertained. Picture was sent from London by cable as swarms of German raiders continued to batter the British coast.

The same photo, rotated 180 degrees and cropped somewhat differently, appeared on the front page of the Spokane Daily Chronicle the previous day:
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On this day in 1945, the third atomic bomb was dropped on Tokyo. Or, rather, might have been had not Japan surrendered on 15 August. For a long time, I’ve believed that the two bombs used on Hiroshima and Nagasaki were the only ones which would be available for a month or two. But a comment at Edge of the American West pointed me in the direction of a memo recording the conversation between General John E. Hull and Colonel L. E. Seeman on 13 August, about atomic bomb production in the next few months. And it turns out that there was one ready to be shipped out to Tinian at that very moment. According to Seeman, it would be ready for use on 19 August.

As for where it would be used, I got that from the first chapter of Michael Gordin’s Five Days in August: How World War II Became a Nuclear War. He says there that the third drop would ‘probably’ have been on Tokyo. That surprises me a little, given that Hiroshima and Nagasaki were chosen from a list of cities spared from conventional bombing so that the effects of the atomic bombs could be better assessed. Tokyo wasn’t on that list (the other cities were Kokura and Niigata). Perhaps the thinking was that two ‘test’ drops were enough, and that if no surrender followed, it was time for a higher-value morale target? It could be questioned how much of Tokyo was left to destroy after the 65 conventional (or fire) raids which had already taken place. Or perhaps a decapitating strike was intended, to take out Hirohito and his ministers? Though that might actually make surrender more difficult to organise.

Clearly I’ll have to add Gordin’s book to my to-read list …

At In the Middle, Karl Steel reviews Adriana Cavarero’s book Horrorism, which, as I understand it, seeks to reorient descriptions of violence from the perspective of its perpetrators to that of its victims. This part of the review seems like a good question to ask here:

I suffer an even pettier annoyance when she writes: “Any review of the refined arts of war developed over the course of the century would have to dedicate a separate chapter to the aerial bombardments inaugurated by German forces over Guernica and Coventry” (51). Why not Italian forces over Ethiopia the year before Guernica, or, arguably, RAF forces over Sulaymaniyah? (and while it’s tempting to suggest the Zeppelin raids of English, beginning in 1915, the difference between these and Sulaymaniyah, Ethiopia, or Guernica is that the English could defend themselves: the Kurds, Ethiopians, and Basques could not, and thus stand as better representatives of horrorism (unlike the inhabitants of Coventry)).

Firstly, my petty criticism of the sentence quoted from the book would be that Germany didn’t inaugurate aerial bombardment at either Guernica or Coventry. As Steel notes, there were plenty of earlier instances; I would probably point the Bulgarian bombing of the Turkish city of Adrianople in late 1912 as the inauguration of aerial bombardment of civilians. I would also quibble with Steel, and point out that while Britain as a nation could defend itself against bombing during the First World War, on an individual level its citizens could not shoot back, send up fighters or retaliate through counterbombing. At the point in time when the bombs were actually falling, can we say that the horror experienced by Kurdish victims of British air control was greater than that of British victims of the Zeppelins and Gothas? Conversely, non-Western, non-state targets of bombing tried a surprisingly wide range of strategies, up to and including their own small air forces.

But then what would be the best example of horrorism in the case of aerial bombardment? I’d pick Dresden, February 1945. Not only was is it one of the most devastating episodes in the history of bombing in and of itself, but it was one of the few cases when the horror was so great that it was felt by the perpetrators (or at least the perpetrating culture) as well as the victims. But then that’s probably missing the point of horrorism altogether.

Pierre-Antoine Courouble. The Riddle of the Wooden Bombs. Toulon: Les Presses du Midi, 2009.

One of my early posts on this blog was about a story which goes something like the following. The Germans are constructing a fake airfield to decoy Allied bombers, with dummy aircraft made out of wood. On the day it is finished, a RAF bomber swoops down and drops a single bomb on it — a bomb made of wood. The Germans look foolish: having tried to outsmart the Allies, it is they who are outsmarted. A moral victory for the good guys!

The details are usually vague and vary between tellings (it happened in France, or Belgium, or Egypt; late in the Second War, early on, or even in the First World War; sometimes it is the British who are on the receiving end of the wooden bomb; rarely does anyone claim to be an eyewitness). It sounds a lot like a joke, or an urban legend, which is what it has usually been dismissed as. I tried to work out if there was any truth to the story but have to admit I didn’t get very far.

You might not think that there was anyway much to be said about such an obscure and perhaps trivial topic. Well, you’d be wrong! Pierre-Antoine Courouble has spent several years researching the wooden bombs and the result is this meticulously-endnoted 237-page book, The Riddle of the Wooden Bombs. He has scoured libraries, stalked bulletin boards, harassed museums and interviewed veterans for any information which might confirm that somebody, somewhere did drop wooden bombs on a fake airfield. And I would say he is successful in this task: he has found some wooden bombs in museum collections, and perhaps more importantly, found some eyewitnesses. There are still some gaps, but it does look like the wooden bomb story did happen in reality, and more than once.

The bigger question is: why? Courouble looks at a number of explanations, the most intriguing of which is that the wooden bombs were part of a SOE psychological warfare operation. This might sound fanciful, and admittedly there’s no hard evidence for it (most SOE files were apparently lost at the end of the war, and many still are not open). But the lift to civilian morale in occupied France is very noticeable in many of the accounts Courouble has unearthed, and the relish with which the stories have been retold by veteran pilots speaks to similar effects in unoccupied Europe. And some of the wooden bombs apparently also carried propaganda leaflets inside (’Wood for wood, iron for iron’). It doesn’t seem too fanciful to suggest that SOE perhaps carried out some wooden bomb operations, and fanned rumours of many more, as part of their brief to set Europe ablaze. But that is speculation, and Courouble rightly hesitates to claim more than the evidence can bear, leaving a (perhaps) final resolution to future researchers. He (again, I think, rightly) decided against looking at operational records and the like, in favour of canvassing the quickly-dwindling veteran community, but that should be the next place to look.

Along the way, Courouble also looks into the history of military decoys and training bombs, and there are some excellent photos of wooden pocket battleships and wooden coastal defence guns, as well as wooden Messerschmitts and Focke-Wulfs. The writing style is lively and always interesting; there are a few places where the translation from the original French perhaps falls short (mostly military terminology) but it’s perfectly readable. (And how many books written in English have a simultaneous publication in French?) Although Courouble never claims to be a professional historian, I certainly appreciate his attention to detail and his doubt over hypotheses; and as noted his endnotes are extensive. I would like to have seen a table of contents and/or an index: the main text is over two hundred pages long, which is a bit too long to be flipping back and forth looking for certain passages.

It might be asked why such an obscure topic deserves a book all to itself. My answer would be: because, as Courouble shows, it happened! And because nobody has studied it in any depth until now. Anyone who likes following historical detective work, or traveling down the lesser-known byways of history, might enjoy Courouble’s book. And certainly anyone with any interest in the wooden bomb riddle at all will want to read The Riddle of the Wooden Bombs.

The National Archives have released a couple of files (here and here) relating to mustard gas in the Second World War. I’m too cheap to pay to download them from TNA so I’m relying on news reports — luckily this is a blog and not a refereed publication!

The first is about a series of seminars held in 1943 by the Ministry of Food and the Ministry of Home Security. Their purpose was to inform ‘civilians’ — just who exactly is not clear from the article, but I’m guessing civil defence personnel rather than people pulled off the street — about the effects of mustard gas on food, by way of practical demonstrations. The overall conclusion seems to have been that it was more of a nuisance than anything else, as most things could be decontaminated. (Cheese is particularly resistant, apparently.) This would have been a relief to a number of prewar writers, who predicted that that food supplies were vulnerable to gas attack. Two points. One is that I’m glad that I don’t go to the kind of seminars which involve a risk of mustard gas exposure (22 civilians suffered ’side-effects’, according The Times, along with 3 officials.) The second is the question of why 1943? Early in that year Allied victory was sealed in North Africa and a German army surrendered at Stalingrad. Perhaps the worry was that with Germany now on the retreat, Hitler might try something desperate to regain the initiative. Or, if the seminars were organised after the devastating raids on Hamburg in July, perhaps it was thought that the Luftwaffe might retaliate. (It did still have this capability, as the Baby Blitz the following year showed — though this was conventional, not chemical.)

The second story is that in May 1944, Britain ‘considered’ (as the headline in The Times has it) using mustard gas against Tokyo. But it would be easy to read too much into this. The report in question — entitled ‘Attack on Tokyo with gas bombs’ — clearly isn’t any sort of operational plan but simply an intellectual exercise designed to provide the top brass with the basis for informed decision-making. (One giveaway is that the author was a boffin, a Professor D. Brunt, who I’d guess was the meteorologist David Brunt.) Still, it’s always a bit confronting to ponder the thinking behind statements like ‘In the densely built areas of Japanese-type buildings, where the streets are narrow, the flow of a gas cloud would be hindered by the narrowness of the streets’. Phosgene could also be used, which would cause large civilian casualties, but the conclusion was that incendiaries would be best, perhaps followed up a few days later with mustard as an area-denial weapon. (Another suggestion was gas first to cause civilians to flee, then incendiaries, though there’s no suggestion in the article that this was in order to minimise casualties.) Again, why 1944? It’s not like Bomber Command was about to start operations against Japan. But the invasion of France was imminent, and with it the prospect of a heavy toll of British military casualties. At this stage of the war manpower was starting to run out. So the eventual need to provide forces for the invasion of Japan must have been daunting for British planners; and for that reason, using technology to substitute for manpower would have been attractive.1 And in fact, later in the year Churchill committed a large contingent of heavy bombers to the war against Japan, Tiger Force — which didn’t go in action because it was trumped by another labour-saving device, the atomic bomb. (Well, that and the Soviet Union’s still relatively ample reserves of manpower.)

  1. Just as it had been in a similar stage in the First World War: see Eric Ash, Sir Frederick Sykes and the Air Revolution, 1912-1918 (London and Portland: Frank Cass, 1999).

KEEP IT WHITE / Argus, 9 December 1941, p. 4

The editorial cartoon from the Melbourne Argus of 9 December 1941, the issue which reported the Japanese landings in Malaya and air raid on Pearl Harbor. I guess it’s nice to know I can still be surprised, though, of course, there’s really no reason why I should have been.

Oliver Stewart, Air Power and the Expanding Community

I’ve said before that Giulio Douhet’s influence on British ideas about airpower has been greatly overestimated. Nobody was talking about him before the mid-1930s, by which time the knock-out blow paradigm was firmly established. Much the same could be said of Billy Mitchell (although the sinking of the Ostfriesland was certainly noticed, and at least he wrote in English). The only British name mentioned alongside these two is usually Hugh Trenchard’s. So the writers who really set the agenda in Britain as far as bomber propaganda is concerned, such as P. R. C. Groves and L. E. O. Charlton, are forgotten nowadays (except by specialists).

I’m not sure when this forgetting started — I’d have to read more memoirs and histories written in the two or three decades after 1945 — but I’ve found one surprising instance from the Second World War. It’s so surprising that it must be a case of wanting to forget, because there’s no way the author was not fully aware of British writing on airpower between the wars. I speak of Oliver Stewart, who was a fighter ace in the First World War, a test pilot after it, the aviation correspondent of (inter alia) the Morning Post from 1926 to 1937 (and then other newspapers, including briefly The Times), and the author of several books on aviation. In short, he was a highly-experienced and well-informed observer of the British aviation scene.
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[Cross-posted at Cliopatria.]

Guernica

A couple of years ago I outed myself as something of a philistine by admitting that I didn’t ‘get’ Guernica, and thought that direct representations — photographs — of the ruined city were more powerful, more affecting than Picasso’s masterpiece. My incomprehension generated a fair degree of discussion, which was useful, but it was having to teach Guernica this week in tutorials which finally helped me make my peace with it. More specifically, learning something of Picasso’s process of design and composition, and the politics of his commission from the Republican government, led me to a better appreciation of its symbolism. Although it depicts — or rather is inspired by — the bombing of a city, it seems to be set inside as much as outside, somehow. The woman holding a lantern could be leaning out of a window, one who survived the destruction but suffers from what she has seen. Or she could be leaning in, perhaps symbolising the inaction of the international community after seeing what had happened to Guernica. Creative ambiguity, indeed.

But the other source the students looked at this week was the 1959 French-Japanese film Hiroshima mon amour. And while I’ve come to understand something of Guernica’s power, figurative and non-literal though it may be, I now have a problem with Hiroshima mon amour. In the most simplistic terms, it is a love story between a French woman and a Japanese man, who have a doomed affair in Hiroshima, ca. 1957. But the romance is not the point. Marguerite Duras, author of the screenplay, later wrote that:

Nothing is ‘given’ at Hiroshima. Every gesture, every word, takes on an aura of meaning that transcends its literal meaning. And this is one of the principal goals of the film: to have done with the description of horror by horror, for that has been done by the Japanese themselves, but make this horror rise again from its ashes by incorporating it in a love that will necessarily be special and ‘wonderful’, one that will be more credible than if it had occurred any where else in the world a place that death had not preserved.

But if she wanted ‘to have done with the description of horror by horror’, then why did she and director Alain Resnais include — at times harrowing — documentary footage of the ruined city and the victims of the atomic bomb? (Starting from 7.53, continued in the second clip.)
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Military History Carnival 16 has been posted at American Presidents Blog. There’s an easy choice for me (although the snails did make me go ‘ewwww’): The Blogger will always get through has found an intact trench in East Sussex, which was part of the anti-invasion defences in the Second World War. Sterling work, and there is a video and another photo (and snails) in a follow-up post. Which is as good an opportunity as any to mention a link which Alun Salt passed on to me, a report by Wessex Archaeology of a Time Team excavation of possible Second World War defences in the Shooters Hill region of southeast London, including an underground bunker of unusual design. One the one hand, the idea of doing archaeology on such a recent period seems faintly ridiculous — there are people still alive who would remember what was there, and there are plenty of paper records for historians to sift through. On the other hand, not everything about such defences will have been written down, and memories fade, so it’s not actually ridiculous at all. More world war archaeology, I say, more!

Primary sources

Some more navel-gazingpost-thesis analysis. Above is a plot of the number of primary sources (1908-1941) I cite by date of publication. (Published sources only, excluding newspaper articles — of which there are a lot — and government documents. Also, it’s not just airpower stuff, though it mostly is.) I actually have no idea if it’s a lot or not, and I’m sure there are some selection effects in there. But, although I’ve certainly not attempted any sort of statistical analysis (nor will I!), I think some features of the plot reflect real features of the airpower literature of period, at least as it relates to the bombing of civilians.

Firstly, there’s a substantial increase in the number of sources in the 1930s, particularly from 1934 when there is a big peak. I argue in the thesis that this was only partly and indirectly due to the obvious reason (the arrival of Hitler in 1933). The more important reason was the World Disarmament Conference in Geneva, which ran between 1932 and 1934 (actually it went longer, but was dead in the water when Germany walked out). This roused airpower writers — whether pro- or anti-disarmament — to action, and gave them a reason to explain to the public the effects of bombing on cities. The slight rise from the late 1920s is also due to the conference, I think, or rather the optimistic Locarno-era preparations for it. The big peak in 1927 is a bit odd, though. Let’s call that an outlier.

The other two noticeable peaks are in 1909 and 1938. The first was very early in the public’s awareness of flight. That really started in 1908, but the possible defence implications came to the fore in 1909 — the founding of the Aerial League of the British Empire, the first phantom airship panic, the publication of the first serious books on the topic. And of course the dreadnought panic — it was a peak year for Anglo-German rivalry. The 1938 peak was the culmination of the building concern over the previous decade. What the plot doesn’t show is that, unlike previous years, it was largely sceptical, based on evidence from the Spanish Civil War. The Sudeten crisis that September showed that the fear of the knock-out blow still had a strong grip on the public and the press. But afterwards there’s a sharp decline in interest, which I maintain is real.

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