August 2009

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Representing horrorism

7 August 2009 in 1910s, 1920s, 1930s, 1940s, Air control, Books by Brett Holman | 4 comments

At In the Middle, Karl Steel reviews Adriana Cavarero's book Horrorism, which, as I understand it, seeks to reorient descriptions of violence from the perspective of its perpetrators to that of its victims. This part of the review seems like a good question to ask here:

I suffer an even pettier annoyance when she writes: "Any review of the refined arts of war developed over the course of the century would have to dedicate a separate chapter to the aerial bombardments inaugurated by German forces over Guernica and Coventry" (51). Why not Italian forces over Ethiopia the year before Guernica, or, arguably, RAF forces over Sulaymaniyah? (and while it's tempting to suggest the Zeppelin raids of English, beginning in 1915, the difference between these and Sulaymaniyah, Ethiopia, or Guernica is that the English could defend themselves: the Kurds, Ethiopians, and Basques could not, and thus stand as better representatives of horrorism (unlike the inhabitants of Coventry)).

Firstly, my petty criticism of the sentence quoted from the book would be that Germany didn't inaugurate aerial bombardment at either Guernica or Coventry. As Steel notes, there were plenty of earlier instances; I would probably point the Bulgarian bombing of the Turkish city of Adrianople in late 1912 as the inauguration of aerial bombardment of civilians. I would also quibble with Steel, and point out that while Britain as a nation could defend itself against bombing during the First World War, on an individual level its citizens could not shoot back, send up fighters or retaliate through counterbombing. At the point in time when the bombs were actually falling, can we say that the horror experienced by Kurdish victims of British air control was greater than that of British victims of the Zeppelins and Gothas? Conversely, non-Western, non-state targets of bombing tried a surprisingly wide range of strategies, up to and including their own small air forces.

But then what would be the best example of horrorism in the case of aerial bombardment? I'd pick Dresden, February 1945. Not only was is it one of the most devastating episodes in the history of bombing in and of itself, but it was one of the few cases when the horror was so great that it was felt by the perpetrators (or at least the perpetrating culture) as well as the victims. But then that's probably missing the point of horrorism altogether.

A dispatch from Harvard by the Yarra

3 August 2009 in Australia, Contemporary by Brett Holman | 6 comments

[Cross-posted at Cliopatria.]

'Harvard by the Yarra' is actually the University of Melbourne, Australia (the Yarra being the major river hereabouts, though the university is not actually anywhere near it). Some wag coined the phrase to describe (and deride) the aspirations implicit in the Melbourne Model, a radical overhaul of undergraduate teaching announced in 2007. Instead of many specialised undergraduate courses, there are now (or soon will be) only six, which will be more general and will serve as feeders for professional postgraduate courses. So whereas students used to be able to enroll in a law or medicine degree straight out of high school, for example, they now must complete an undergraduate degree first. This is more like the US tertiary education system than the British one, which provided the model for the first Australian universities in the 19th century. Hence 'Harvard by the Yarra'.

But there's another similarity to Harvard. Melbourne, like most Australian universities is publicly-funded. However, like Harvard, it is a (relatively, in Australian terms) old and prestigious institution, and so it has also attracted a (again, in Australian terms) large endowment from various benefactors. You might think that this is a good thing to have in a global recession, but apparently not. A slump in the value of the university's investments combined with several other factors (for example, the loss of fees from local students) has lead to a budgetary crisis, and an announcement by the vice-chancellor of a plan to cut 220 full-time equivalent jobs over the next few years, about 3% of the total workforce, to fall on both academics and administrative staff.

This doesn't come at a good time for the Faculty of Arts, which has already been struggling to deal with its own deep budget deficits over the last couple of years. This is partly due to curriculum changes imposed by the Melbourne Model, but also to a shift in the way funds are allocated by the university. There has been much publicity about this in recent months, as Arts tried to reduce salary expenditure by encouraging academic staff to take early retirement or go on long-term leave without pay. It's lost about 65 academics through these measures. The School of Historical Studies, where I completed my PhD studies, has been the focus of much of this attention. What was perhaps the leading history department in Australia is being slowly strangled by the need to do more with less. And with the recent spate of bad news, a recovery in the near future seems unlikely.
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