As part of the BBC’s Summer of British Film, The Dam Busters will be showing next week at selected cinemas across the UK. I’ll be seeing it, with at least one Airminded regular, at the Peckham Multiplex next Tuesday at 7.30pm, for the surprisingly reasonable price of 99p. Any readers who would like to come along would be most welcome; give me a shout in the comments or directly, and we’ll arrange … something.
It’s always a pleasure to see classic movies the way they were meant to be seen, on the big screen. (Although “big” is a relative term, especially here given that it’s at a multiplex!) And it is a classic: bombers, boffins, bouncing bombs, a stirring musical score and an unflinching portrayal of Bomber Command’s area bombing policy. Well, obviously that last part is a lie — but it’s still well worth seeing.

This work, unless otherwise expressly stated, is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 License. Terms and conditions beyond the scope of this license may be available at airminded.org.
Possibly-related posts:
-
The screens are quite good really; big enough for the Lancs to have an impact…
-
Come on, Nigger.
-
While “The Dambusters” is not really my cup of tea, I do think Richard Todd’s performance is an absolutely extraordinary, very early example of finely-tuned ‘movie acting’ in Britain. I’ve even said in the past that I’d almost class it as one of the first examples of ‘Method’ acting (in the simplistic, inaccurate, shorthand sense of ‘internalized and entirely non-stagey’) in British film. It is all in the eyes, and what is going on behind them. Quite brilliant – making Michael Redgrave’s ’stagey’, OTT turn in the movie all the more unfortunately misjudged….
And although “Withnail and I” should be very much my bag (man), I tend to agree with Alan – mildly diverting but somewhat over-rated, imho. The music’s the best thing in it.
But my main objective is, I’m afraid, to namedrop: in one of my very earliest jobs I worked with John Fraser, who plays young Hopgood (I think?) in “The Dambusters”. What a truly lovely man he was; utterly charming, and more than happy to regale us with stories of making “Repulsion” with Polanski and Deneuve, “El Cid” with Sophia Loren, “The Trials of Oscar Wilde”, etc, etc – you name it, he’s worked with them all and had one heck of an interesting life. He’s even published an extremely honest and often hilariously fruity memoir called “Close Up: An Actor Telling Tales”. Highly recommended light reading. Can’t recall if he tells us much about “The Dambusters”, mind you.
-
When Battle of Britain was finally released on DVD, it got a cinema outing. It soon became apparent that what we were seeing was the DVD projected onto a big scree. I suspect the same will be the case with this showing of Dam Busters. It’s not altogether satisfactory. It’s a bit dark, and doesn’t look the same as seeing a new print.
-
My best cinema experience of the last couple of years was The General with live piano accompaniment. (Not just any old pianist – fellow by the name of Neil Brand.)
Are WWII films a boy thing? (Discuss.) They don’t do it for me.
-
I know Neil Brand slightly and he’s an utter dude, even when he’s not playing the piano.
-
Well, since I posted the comment I’ve been trying to think of WWII films I’ve seen that I have liked. Definitely It Happened Here, if counterfactual WWII counts. I’ve never seen Enigma. Sounds a bit soppy. (I don’t mind bombs. Bombs are fun. But I can’t be doing with stiff upper lipped Englishmen with ridiculous cut glass accents.)
Chris, my friends who persuaded me to go to see the General (I mean, I’m not exactly a silent film aficionado; strangely enough, I ducked out of the 6 hour Napoleon epic) said the same sort of thing about Neil Brand. Awesome.
-
First rule of acting etiquette: never, ever give another actor notes (unless they specifically ask you for them), no matter how crap they may be (that does happen) or how feeble the director may be (that happens frequently). “You just have to work round them, dear boy…” But Gareth Thomas (of ‘Blake’s 7’ fame) did once blurt out when I was in full flow in rehearsals “you’re not really going to play that scene like that, are you?” I was devastated. Fortunately, he was rather embarrassed that it had slipped out and did apologize later. Then I could ask him ‘how would you play it, because the other actor’s giving me nothing, the director’s not helping, and I don’t know what to do?’ And he told me. And it worked (at least a wee bit better). Now that’s ‘generosity’ amongst actors.
-
WWII must have seen more bombs used than any other war in history
Really? Sorry to get all serious and OT, but I’m curious as to whether that’s true. I suppose it all depends on what one means by ‘all bombs,’ but surely in terms of equivalent-TNT recent wars have now surpassed WWII. According to this site, the Americans dropped five times the tonnage of bombs on Laos, Cambodia and North Vietnam from 1965-1973 than they did on Germany from 1942-5. Anyone know the figures for, say, Desert Storm?
-
That stat applies only to US bombing of Germany
I’m not sure about that – it could just be sloppy wording on the part of the author. Since tonnages are usually given by OOB rather than theater, I suspect it refers to 8th Air Force tonnage rather than tonnage dropped on Germany per se, and so would include the raids on France, etc. But I don’t know.
Bomber Command dropped more tons on Germany than did the USAAF, by a substantial margin — though less than a factor of two
Not true for the whole war, though certainly true up to early 1944. Wikipedia gives Bomber Command 191,540 tons to the 8th Air Force’s 188,573. Of course this excludes the 15th Air Force in southern Europe and the other tertiary theaters.
-
WW2 has to win on numbers of bombs, given the number of small incendiary bombs that all sides – but mainly BC and the Twentieth Air Force – used.

19 comments
Comments feed for this article
Trackback link: http://airminded.org/2007/08/30/the-dam-busters-at-the-peckham-multiplex/trackback/