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	<title>Comments on: Our man in the cinema (spoiler warning)</title>
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	<link>http://airminded.org/2007/04/11/our-man-in-the-cinema-spoiler-warning/</link>
	<description>Airpower and British society, 1908-1941</description>
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		<title>By: Brett Holman</title>
		<link>http://airminded.org/2007/04/11/our-man-in-the-cinema-spoiler-warning/comment-page-1/#comment-46955</link>
		<dc:creator>Brett Holman</dc:creator>
		<pubDate>Thu, 19 Apr 2007 04:51:10 +0000</pubDate>
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		<description>I guess it is a fair trade, and anyway it&#039;s not like curmudgeonly reviews actually detract from the movies themselves. But it seems strange to choose a film reviewer who just doesn&#039;t like movies, doesn&#039;t it?</description>
		<content:encoded><![CDATA[<p>I guess it is a fair trade, and anyway it&#8217;s not like curmudgeonly reviews actually detract from the movies themselves. But it seems strange to choose a film reviewer who just doesn&#8217;t like movies, doesn&#8217;t it?</p>
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		<title>By: david tiley</title>
		<link>http://airminded.org/2007/04/11/our-man-in-the-cinema-spoiler-warning/comment-page-1/#comment-46408</link>
		<dc:creator>david tiley</dc:creator>
		<pubDate>Sat, 14 Apr 2007 04:48:56 +0000</pubDate>
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		<description>He wasn&#039;t a very good film reviewer. For a writer of popular culture, he was very hoity-toity about it, perhaps because he saw himself as using a trash form for serious purposes, and had to maintain his own internal critical mechanism. 

In that he was exactly right. I can easily forgive him some fumbles around Ealing comedies in return for &lt;em&gt;Our Man in Havana&lt;/em&gt;..

He was formally credited for the script of &lt;em&gt;The Third Man&lt;/em&gt; as well as the story. IMDB claims Alexander Korda, Orson Welles and Carol Reed as uncredited writers as well. So his brush with the movies doesn&#039;t prove that he understood them as hermetically satisfying in themselves.</description>
		<content:encoded><![CDATA[<p>He wasn&#8217;t a very good film reviewer. For a writer of popular culture, he was very hoity-toity about it, perhaps because he saw himself as using a trash form for serious purposes, and had to maintain his own internal critical mechanism. </p>
<p>In that he was exactly right. I can easily forgive him some fumbles around Ealing comedies in return for <em>Our Man in Havana</em>..</p>
<p>He was formally credited for the script of <em>The Third Man</em> as well as the story. IMDB claims Alexander Korda, Orson Welles and Carol Reed as uncredited writers as well. So his brush with the movies doesn&#8217;t prove that he understood them as hermetically satisfying in themselves.</p>
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